Hello, Schoolgirl
2008 · 113 min · Director: Jang-ha Ryu, Ryu Jang-ha
Show plot summary (may contain spoilers)
Thirty-year-old Yun-woo bumps into a high school student in the elevator while on his way to work. His heart starts pounding at this teenager's boldness. At a subway station, KANG Sook can't stop staring at the long-haired, beautiful Ha-kyung. Ha-kyung breaks up with KANG Sook only a few hours after they first meet. However, KANG Sook has already fallen in love with her.
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Emotional fingerprint
Hello, Schoolgirl (2008) — Movie. Top emotional signals: Love 30%, Humor 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Humor, Empathy. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Humor and Empathy. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Hope
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Hope | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 29 % | 5 % | 3 % | 5 % |
| 7.5 % | ≈ 8′ | Humor | 32 % | 15 % | 10 % | 9 % |
| 12.5 % | ≈ 14′ | Love | 34 % | 25 % | 17 % | 8 % |
| 17.5 % | ≈ 20′ | Humor | 35 % | 29 % | 19 % | 5 % |
| 22.5 % | ≈ 25′ | Love | 39 % | 35 % | 21 % | 8 % |
| 27.5 % | ≈ 31′ | Love | 44 % | 39 % | 23 % | 11 % |
| 32.5 % | ≈ 37′ | Humor | 50 % | 45 % | 26 % | 12 % |
| 37.5 % | ≈ 42′ | Love | 57 % | 53 % | 30 % | 14 % |
| 42.5 % | ≈ 48′ | Love | 57 % | 51 % | 29 % | 21 % |
| 47.5 % | ≈ 54′ | Sadness | 56 % | 44 % | 21 % | 40 % |
| 52.5 % | ≈ 59′ | Sadness | 59 % | 47 % | 21 % | 45 % |
| 57.5 % | ≈ 65′ | Love | 61 % | 54 % | 33 % | 32 % |
| 62.5 % | ≈ 71′ | Love | 59 % | 52 % | 35 % | 29 % |
| 67.5 % | ≈ 76′ | Sadness | 56 % | 44 % | 25 % | 38 % |
| 72.5 % | ≈ 82′ | Love | 62 % | 42 % | 14 % | 48 % |
| 77.5 % | ≈ 88′ | Sadness | 66 % | 37 % | 12 % | 57 % |
| 82.5 % | ≈ 93′ | Sadness | 59 % | 30 % | 19 % | 56 % |
| 87.5 % | ≈ 99′ | Sadness | 56 % | 35 % | 33 % | 48 % |
| 92.5 % | ≈ 105′ | Hope | 61 % | 50 % | 49 % | 37 % |
| 97.5 % | ≈ 110′ | Love | 68 % | 62 % | 61 % | 25 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Kang Sook
Kwon Ha-kyeong
Child looking for father
Female Student 1
Bride
Laundry's father
Student
Details
- Directed by
- Jang-ha Ryu, Ryu Jang-ha
- Written by
- Jang-ha Ryu, Kang Full, Se-bom Kim, Kim Sae-bom, Yoon Jae-geun, Ryu Jang-ha, Jeonghuh Deok-jae, Son Mi
- Type
- Movies
- Released
- 2008
- Runtime
- 113 min
- Country
- South Korea
- Ratings
- Feels mostly
- Love
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





