Norman
2010 · 97 min · Director: Jonathan Segal
Show plot summary (may contain spoilers)
A troubled high-school kid pretending to be dying of cancer confronts problems with his new girlfriend and terminally ill father as he struggles with his daily existence.
Emotional fingerprint
Norman (2010) — Movie. Top emotional signals: Empathy 30%, Sadness 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Anxiety. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Anxiety. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 38 % | 25 % | 28 % | 3 % |
| 7.5 % | ≈ 7′ | Empathy | 41 % | 20 % | 27 % | 8 % |
| 12.5 % | ≈ 12′ | Humor | 53 % | 23 % | 31 % | 10 % |
| 17.5 % | ≈ 17′ | Sadness | 61 % | 43 % | 49 % | 19 % |
| 22.5 % | ≈ 22′ | Sadness | 64 % | 56 % | 59 % | 30 % |
| 27.5 % | ≈ 27′ | Tension | 66 % | 57 % | 59 % | 29 % |
| 32.5 % | ≈ 32′ | Empathy | 65 % | 56 % | 61 % | 29 % |
| 37.5 % | ≈ 36′ | Sadness | 60 % | 53 % | 59 % | 34 % |
| 42.5 % | ≈ 41′ | Sadness | 58 % | 49 % | 55 % | 32 % |
| 47.5 % | ≈ 46′ | Empathy | 57 % | 44 % | 50 % | 31 % |
| 52.5 % | ≈ 51′ | Humor | 56 % | 39 % | 44 % | 33 % |
| 57.5 % | ≈ 56′ | Empathy | 59 % | 33 % | 44 % | 40 % |
| 62.5 % | ≈ 61′ | Love | 69 % | 23 % | 45 % | 61 % |
| 67.5 % | ≈ 65′ | Love | 76 % | 31 % | 53 % | 70 % |
| 72.5 % | ≈ 70′ | Sadness | 77 % | 55 % | 64 % | 61 % |
| 77.5 % | ≈ 75′ | Love | 81 % | 69 % | 71 % | 61 % |
| 82.5 % | ≈ 80′ | Sadness | 89 % | 80 % | 80 % | 69 % |
| 87.5 % | ≈ 85′ | Sadness | 91 % | 86 % | 85 % | 63 % |
| 92.5 % | ≈ 90′ | Sadness | 88 % | 82 % | 83 % | 43 % |
| 97.5 % | ≈ 95′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Norman. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Details
- Directed by
- Jonathan Segal
- Written by
- Talton Wingate
- Type
- Movies
- Released
- 2010
- Runtime
- 97 min
- Country
- United States
- Ratings
- Feels mostly
- Empathy
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
