feeldb

Out of Death

2021 · 95 min · Director: Mike Burns ★ IMDb 3.4 · 6,650 ratings

Show plot summary (may contain spoilers)

A corrupt Sheriff's department in a rural mountain town comes undone when an unintended witness throws a wrench into their shady operation.

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Emotional fingerprint

Out of Death (2021) — Movie. Top emotional signals: Tension 35%, Excitement 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Anger10%
  2. Relief10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Tension, Excitement, Anxiety. Genres: Thriller, Crime, Action. AI estimate.

Is it worth watching?

Consider this title if you are looking for Tension, Excitement and Anxiety. Its IMDb rating of 3.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 55/100.

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Emotional journey

AI · from subtitles
  • Tension
  • Fear
  • Sympathy

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Tension

Dominant emotion: Sadness

Dominant emotion: Sympathy

Dominant emotion: Relief

Tension
Fear
Sympathy
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 23 %, then peaks around 33 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionFearSympathy
2.5 %≈ 2′Tension43 %28 %17 %23 %
7.5 %≈ 7′Sadness55 %36 %21 %35 %
12.5 %≈ 12′Tension63 %53 %34 %34 %
17.5 %≈ 17′Tension59 %56 %35 %24 %
22.5 %≈ 21′Tension60 %57 %38 %28 %
27.5 %≈ 26′Tension74 %72 %59 %49 %
32.5 %≈ 31′Tension85 %83 %73 %60 %
37.5 %≈ 36′Tension84 %82 %69 %48 %
42.5 %≈ 40′Tension77 %65 %52 %44 %
47.5 %≈ 45′Sympathy76 %54 %41 %61 %
52.5 %≈ 50′Sympathy78 %64 %48 %61 %
57.5 %≈ 55′Tension76 %73 %55 %49 %
62.5 %≈ 59′Tension78 %75 %63 %54 %
67.5 %≈ 64′Tension74 %71 %56 %48 %
72.5 %≈ 69′Tension69 %67 %47 %36 %
77.5 %≈ 74′Tension76 %74 %59 %49 %
82.5 %≈ 78′Tension81 %79 %67 %58 %
87.5 %≈ 83′Tension81 %80 %66 %49 %
92.5 %≈ 88′Tension80 %66 %54 %41 %
97.5 %≈ 93′Relief72 %38 %28 %40 %
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

Jaime King

Shannon Mathers

LK
Lala Kent

LK
Lala Kent

Billie Stanhope

Tyler Jon Olson

Tom Rivers

Michael Sirow

Hank Rivers

ML
Megan Leonard

Joanne Kern

KE
Kayla Eva

News Reporter (uncredited)

KL
Kendyll Legier

Clarie

LM
Lauren McCord

Dispatcher

AH
Adam Huel Potter

Federal Agent

KL
Keagan Lasater

Pete

Details

Directed by
Mike Burns
Written by
Bill Lawrence
Type
Movies
Released
2021
Runtime
95 min
Country
United States
Ratings
★ IMDb 3.4 · 6,650 ratings
Feels mostly
Tension
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.