Room in Rome
2010 · 109 min · Director: Julio Medem
Show plot summary (may contain spoilers)
A young Russian woman named Natasha is soon to be married and is on holiday in Rome where she meets Alba. She accompanies Alba to her hotel room as a curious acquaintance and stays as a growing friend. In this room in Rome, the two women come to know one another intimately over the course of the night, and explore and discover themselves along the way. Only the break of day threatens to break their newly forged bond.
Emotional fingerprint
Room in Rome (2010) — Movie. Top emotional signals: Love 35%, Empathy 25%, Sadness 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love35%
- Empathy25%
- Sadness15%
- Melancholy15%
- Anticipation10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Empathy, Sadness. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Empathy and Sadness. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Sadness
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Love
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Sadness | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 41 % | 30 % | 0 % | 38 % |
| 7.5 % | ≈ 8′ | Love | 45 % | 35 % | 9 % | 35 % |
| 12.5 % | ≈ 14′ | Love | 44 % | 33 % | 19 % | 34 % |
| 17.5 % | ≈ 19′ | Curiosity | 45 % | 23 % | 21 % | 41 % |
| 22.5 % | ≈ 25′ | Curiosity | 52 % | 16 % | 30 % | 51 % |
| 27.5 % | ≈ 30′ | Curiosity | 53 % | 20 % | 30 % | 49 % |
| 32.5 % | ≈ 35′ | Love | 52 % | 24 % | 14 % | 36 % |
| 37.5 % | ≈ 41′ | Humor | 56 % | 25 % | 13 % | 35 % |
| 42.5 % | ≈ 46′ | Love | 61 % | 31 % | 35 % | 40 % |
| 47.5 % | ≈ 52′ | Sadness | 63 % | 29 % | 53 % | 41 % |
| 52.5 % | ≈ 57′ | Sadness | 64 % | 25 % | 56 % | 44 % |
| 57.5 % | ≈ 63′ | Sadness | 61 % | 32 % | 51 % | 40 % |
| 62.5 % | ≈ 68′ | Love | 50 % | 36 % | 31 % | 31 % |
| 67.5 % | ≈ 74′ | Love | 44 % | 38 % | 18 % | 24 % |
| 72.5 % | ≈ 79′ | Love | 50 % | 46 % | 20 % | 20 % |
| 77.5 % | ≈ 84′ | Love | 59 % | 57 % | 20 % | 22 % |
| 82.5 % | ≈ 90′ | Love | 72 % | 70 % | 35 % | 23 % |
| 87.5 % | ≈ 95′ | Love | 81 % | 76 % | 63 % | 19 % |
| 92.5 % | ≈ 101′ | Sadness | 67 % | 61 % | 63 % | 13 % |
| 97.5 % | ≈ 106′ | Love | 48 % | 42 % | 43 % | 8 % |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Details
- Directed by
- Julio Medem
- Written by
- Julio Medem, Katherine Fugate, Julio Rojas
- Type
- Movies
- Released
- 2010
- Runtime
- 109 min
- Country
- Spain
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Subscription
Also on
Availability varies by country
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