Malcolm & Marie
2021 · 106 min · Director: Sam Levinson, Sam Levinson
Show plot summary (may contain spoilers)
A filmmaker returns home with his girlfriend following a celebratory movie premiere as he awaits what's sure to be imminent critical and financial success. The evening suddenly takes a turn as revelations about their relationships begin to surface, testing the strength of their love.
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Emotional fingerprint
Malcolm & Marie (2021) — Movie. Top emotional signals: Sadness 30%, Tension 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness30%
- Tension25%
- Love20%
- Anxiety15%
- Melancholy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Tension, Love. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Tension and Love. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Sadness
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sadness | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 41 % | 9 % | 6 % | 12 % |
| 7.5 % | ≈ 8′ | Humor | 47 % | 24 % | 11 % | 19 % |
| 12.5 % | ≈ 13′ | Tension | 59 % | 51 % | 24 % | 33 % |
| 17.5 % | ≈ 19′ | Tension | 65 % | 54 % | 29 % | 39 % |
| 22.5 % | ≈ 24′ | Humor | 59 % | 33 % | 20 % | 31 % |
| 27.5 % | ≈ 29′ | Humor | 57 % | 38 % | 23 % | 30 % |
| 32.5 % | ≈ 34′ | Tension | 70 % | 64 % | 42 % | 43 % |
| 37.5 % | ≈ 40′ | Tension | 78 % | 75 % | 54 % | 52 % |
| 42.5 % | ≈ 45′ | Tension | 76 % | 68 % | 58 % | 54 % |
| 47.5 % | ≈ 50′ | Sadness | 70 % | 56 % | 55 % | 50 % |
| 52.5 % | ≈ 56′ | Tension | 59 % | 48 % | 35 % | 33 % |
| 57.5 % | ≈ 61′ | Humor | 56 % | 44 % | 13 % | 17 % |
| 62.5 % | ≈ 66′ | Humor | 55 % | 41 % | 13 % | 20 % |
| 67.5 % | ≈ 72′ | Empathy | 59 % | 49 % | 32 % | 37 % |
| 72.5 % | ≈ 77′ | Tension | 71 % | 65 % | 50 % | 49 % |
| 77.5 % | ≈ 82′ | Tension | 71 % | 66 % | 48 % | 44 % |
| 82.5 % | ≈ 87′ | Tension | 67 % | 57 % | 46 % | 48 % |
| 87.5 % | ≈ 93′ | Empathy | 70 % | 43 % | 54 % | 63 % |
| 92.5 % | ≈ 98′ | Empathy | 64 % | 27 % | 49 % | 59 % |
| 97.5 % | ≈ 103′ | Sadness | 50 % | 23 % | 39 % | 40 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Details
- Directed by
- Sam Levinson, Sam Levinson
- Written by
- Sam Levinson, Sam Levinson
- Type
- Movies
- Released
- 2021
- Runtime
- 106 min
- Country
- United States
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





