A Very Harold & Kumar Christmas
2011 · 90 min · Director: Todd Strauss-Schulson
Show plot summary (may contain spoilers)
Six years have elapsed since Guantanemo Bay, leaving Harold and Kumar estranged from one another with very different families, friends and lives. But when Kumar arrives on Harold's doorstep during the holiday season with a mysterious package in hand, he inadvertently burns down Harold's father-in-law's beloved Christmas tree. To fix the problem, Harold and Kumar embark on a mission through New York City to find the perfect Christmas tree, once again stumbling into trouble at every single turn.
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Emotional fingerprint
A Very Harold & Kumar Christmas (2011) — Movie. Top emotional signals: Humor 40%, Smile 20%, Love 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor40%
- Smile20%
- Love15%
- Excitement15%
- Nostalgia10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Smile, Love. Genres: Comedy, Adventure. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Smile and Love. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 57 % | 55 % | 27 % | 8 % |
| 7.5 % | ≈ 7′ | Humor | 57 % | 55 % | 33 % | 8 % |
| 12.5 % | ≈ 11′ | Humor | 55 % | 49 % | 35 % | 6 % |
| 17.5 % | ≈ 16′ | Tension | 53 % | 43 % | 35 % | 4 % |
| 22.5 % | ≈ 20′ | Humor | 55 % | 48 % | 38 % | 4 % |
| 27.5 % | ≈ 25′ | Humor | 59 % | 53 % | 43 % | 6 % |
| 32.5 % | ≈ 29′ | Humor | 60 % | 55 % | 38 % | 10 % |
| 37.5 % | ≈ 34′ | Humor | 60 % | 57 % | 29 % | 19 % |
| 42.5 % | ≈ 38′ | Humor | 63 % | 53 % | 39 % | 23 % |
| 47.5 % | ≈ 43′ | Tension | 68 % | 50 % | 55 % | 15 % |
| 52.5 % | ≈ 47′ | Humor | 66 % | 56 % | 51 % | 10 % |
| 57.5 % | ≈ 52′ | Humor | 59 % | 56 % | 38 % | 13 % |
| 62.5 % | ≈ 56′ | Humor | 56 % | 54 % | 31 % | 18 % |
| 67.5 % | ≈ 61′ | Humor | 60 % | 59 % | 25 % | 18 % |
| 72.5 % | ≈ 65′ | Humor | 64 % | 56 % | 29 % | 11 % |
| 77.5 % | ≈ 70′ | Tension | 68 % | 48 % | 50 % | 9 % |
| 82.5 % | ≈ 74′ | Tension | 69 % | 49 % | 56 % | 15 % |
| 87.5 % | ≈ 79′ | Humor | 66 % | 48 % | 36 % | 26 % |
| 92.5 % | ≈ 83′ | Love | 66 % | 40 % | 14 % | 43 % |
| 97.5 % | ≈ 88′ | Joy | 67 % | 38 % | 3 % | 55 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Kid in Line
Mom in Line
Wafflebot (voice)
Adrian
Pepe Perez
Becca the P.A.
Details
- Directed by
- Todd Strauss-Schulson
- Written by
- Jon Hurwitz, Hayden Schlossberg, Jon Hurwitz, Hayden Schlossberg
- Type
- Movies
- Released
- 2011
- Runtime
- 90 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
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