The Last Mercenary
2021 · 110 min · Director: David Charhon
Show plot summary (may contain spoilers)
A mysterious former secret service agent must urgently return to France when his estranged son is falsely accused of arms and drug trafficking by the government, following a blunder by an overzealous bureaucrat and a mafia operation.
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Emotional fingerprint
The Last Mercenary (2021) — Movie. Top emotional signals: Excitement 32%, Humor 25%, Surprise 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement32%
- Humor25%
- Surprise18%
- Happiness12%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Humor, Surprise. Genres: Comedy, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Humor and Surprise. Its IMDb rating of 5.3/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 56/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Excitement
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Excitement
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Excitement | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Excitement | 55 % | 38 % | 42 % | 45 % |
| 7.5 % | ≈ 8′ | Humor | 51 % | 43 % | 31 % | 41 % |
| 12.5 % | ≈ 14′ | Humor | 49 % | 43 % | 28 % | 40 % |
| 17.5 % | ≈ 19′ | Humor | 48 % | 38 % | 24 % | 41 % |
| 22.5 % | ≈ 25′ | Tension | 54 % | 37 % | 30 % | 49 % |
| 27.5 % | ≈ 30′ | Excitement | 61 % | 43 % | 45 % | 55 % |
| 32.5 % | ≈ 36′ | Humor | 61 % | 49 % | 40 % | 45 % |
| 37.5 % | ≈ 41′ | Humor | 63 % | 54 % | 34 % | 39 % |
| 42.5 % | ≈ 47′ | Excitement | 65 % | 53 % | 45 % | 51 % |
| 47.5 % | ≈ 52′ | Humor | 63 % | 51 % | 46 % | 54 % |
| 52.5 % | ≈ 58′ | Humor | 63 % | 57 % | 35 % | 39 % |
| 57.5 % | ≈ 63′ | Humor | 65 % | 59 % | 25 % | 26 % |
| 62.5 % | ≈ 69′ | Empathy | 65 % | 48 % | 29 % | 34 % |
| 67.5 % | ≈ 74′ | Excitement | 64 % | 43 % | 44 % | 49 % |
| 72.5 % | ≈ 80′ | Humor | 59 % | 45 % | 44 % | 46 % |
| 77.5 % | ≈ 85′ | Humor | 58 % | 48 % | 40 % | 40 % |
| 82.5 % | ≈ 91′ | Humor | 65 % | 55 % | 50 % | 45 % |
| 87.5 % | ≈ 96′ | Excitement | 71 % | 55 % | 59 % | 55 % |
| 92.5 % | ≈ 102′ | Relief | 60 % | 40 % | 45 % | 48 % |
| 97.5 % | ≈ 107′ | Humor | 40 % | 27 % | 22 % | 27 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Momo
Ivanovich Son
Soldier 1
Henchman Ilvanovich
Sexy Bodyguard 1
Sexy Bodyguard 2
Details
- Directed by
- David Charhon
- Written by
- Ismaël Sy Savané, David Charhon, Ismaël Sy Savané
- Type
- Movies
- Released
- 2021
- Runtime
- 110 min
- Country
- France
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





