The Last Song
2010 · 107 min · Director: Julie Anne Robinson
Show plot summary (may contain spoilers)
Ronnie's (Miley Cyrus) and her younger brother, Jonah's, parents are divorced. They live with their mother until this summer when they are sent to live with their father (Greg Kinnear) in a small town on the beach. Ronnie resents her father and has no intention of being friendly or even talking to him for the summer. But after meeting a handsome guy and beginning to fall in love, Ronnie starts rediscovering her love for music, something she shares with her father. Reconnecting with music revives a kinship with her father which proves to be the most important relationship she may ever experience.
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Emotional fingerprint
The Last Song (2010) — Movie. Top emotional signals: Love 30%, Sadness 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love30%
- Sadness25%
- Empathy20%
- Satisfaction15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Sadness, Empathy. Genres: Drama, Romance, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Sadness and Empathy. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 37 % | 18 % | 18 % | 23 % |
| 7.5 % | ≈ 8′ | Humor | 39 % | 24 % | 18 % | 25 % |
| 12.5 % | ≈ 13′ | Sadness | 41 % | 29 % | 20 % | 32 % |
| 17.5 % | ≈ 19′ | Tension | 44 % | 26 % | 23 % | 40 % |
| 22.5 % | ≈ 24′ | Tension | 45 % | 24 % | 24 % | 43 % |
| 27.5 % | ≈ 29′ | Sadness | 45 % | 25 % | 29 % | 40 % |
| 32.5 % | ≈ 35′ | Humor | 49 % | 19 % | 39 % | 35 % |
| 37.5 % | ≈ 40′ | Love | 54 % | 10 % | 48 % | 29 % |
| 42.5 % | ≈ 45′ | Love | 57 % | 21 % | 50 % | 24 % |
| 47.5 % | ≈ 51′ | Sadness | 61 % | 36 % | 53 % | 25 % |
| 52.5 % | ≈ 56′ | Love | 59 % | 30 % | 48 % | 34 % |
| 57.5 % | ≈ 62′ | Tension | 55 % | 21 % | 39 % | 38 % |
| 62.5 % | ≈ 67′ | Love | 60 % | 21 % | 39 % | 39 % |
| 67.5 % | ≈ 72′ | Tension | 73 % | 41 % | 39 % | 51 % |
| 72.5 % | ≈ 78′ | Sadness | 79 % | 65 % | 43 % | 55 % |
| 77.5 % | ≈ 83′ | Sadness | 79 % | 71 % | 54 % | 44 % |
| 82.5 % | ≈ 88′ | Sadness | 84 % | 77 % | 64 % | 31 % |
| 87.5 % | ≈ 94′ | Sadness | 86 % | 80 % | 68 % | 20 % |
| 92.5 % | ≈ 99′ | Sadness | 85 % | 77 % | 68 % | 13 % |
| 97.5 % | ≈ 104′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Scott
Marcus
Teddy
Cassie
Lance
Details
- Directed by
- Julie Anne Robinson
- Written by
- Nicholas Sparks, Jeff Van Wie
- Type
- Movies
- Released
- 2010
- Runtime
- 107 min
- Country
- United States
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
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Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





