No One Gets Out Alive
2021 · 85 min · Director: Santiago Menghini
Show plot summary (may contain spoilers)
Ambar, an undocumented Mexican immigrant, moves into a rundown Cleveland boarding house after the death of her mother. Desperate and without documentation. Soon odd things start happening to her both at the new boarding house and outside. Then the unsettling cries and eerie visions begin. Ambar begins dreaming about her mother on her deathbed. What is the meaning of her dreams. And are those real dreams?
Emotional fingerprint
No One Gets Out Alive (2021) — Movie. Top emotional signals: Fear 35%, Tension 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear35%
- Tension25%
- Anxiety20%
- Disturbing15%
- Surprise5%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Tension, Anxiety. Genres: Drama, Mystery, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Tension and Anxiety. Its IMDb rating of 5.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 58/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Fear
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion: Fear
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 47 % | 42 % | 19 % | 37 % |
| 7.5 % | ≈ 6′ | Empathy | 46 % | 34 % | 13 % | 40 % |
| 12.5 % | ≈ 11′ | Sadness | 51 % | 32 % | 12 % | 48 % |
| 17.5 % | ≈ 15′ | Empathy | 53 % | 39 % | 18 % | 49 % |
| 22.5 % | ≈ 19′ | Sadness | 55 % | 43 % | 23 % | 50 % |
| 27.5 % | ≈ 23′ | Empathy | 54 % | 40 % | 21 % | 45 % |
| 32.5 % | ≈ 28′ | Tension | 51 % | 43 % | 23 % | 39 % |
| 37.5 % | ≈ 32′ | Empathy | 60 % | 54 % | 33 % | 49 % |
| 42.5 % | ≈ 36′ | Sadness | 73 % | 66 % | 53 % | 61 % |
| 47.5 % | ≈ 40′ | Tension | 76 % | 70 % | 60 % | 65 % |
| 52.5 % | ≈ 45′ | Empathy | 73 % | 66 % | 51 % | 60 % |
| 57.5 % | ≈ 49′ | Tension | 78 % | 73 % | 59 % | 56 % |
| 62.5 % | ≈ 53′ | Tension | 87 % | 84 % | 75 % | 61 % |
| 67.5 % | ≈ 57′ | Tension | 91 % | 89 % | 82 % | 66 % |
| 72.5 % | ≈ 62′ | Disturbing | 94 % | 91 % | 87 % | 69 % |
| 77.5 % | ≈ 66′ | Fear | 92 % | 89 % | 85 % | 70 % |
| 82.5 % | ≈ 70′ | Sadness | 88 % | 84 % | 77 % | 64 % |
| 87.5 % | ≈ 74′ | Tension | 86 % | 81 % | 74 % | 46 % |
| 92.5 % | ≈ 79′ | Disturbing | 82 % | 77 % | 68 % | 32 % |
| 97.5 % | ≈ 83′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Becker
Mama
Beto
Kinsi
Freja
Maria
Petra
Isabella
Carlos
Waitress
Cop
Maria (as Ilinca Neacsu)
Details
- Directed by
- Santiago Menghini
- Written by
- Jon Croker, Fernanda Coppel, Adam Nevill, Jon Croker
- Type
- Movies
- Released
- 2021
- Runtime
- 85 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Feels similar
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