We Can Do That
2008 · 111 min · Director: Giulio Manfredonia
Show plot summary (may contain spoilers)
Nello is a recently hired director of a newly developed work cooperative of former mental patients. After the closure of state psychiatric hospitals and asylums in Italy under the Basaglia Law, many former patients were left hopeless. With the intention of improving the lives of his pupils, Nello encourages them to expand their individual abilities.
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Emotional fingerprint
We Can Do That (2008) — Movie. Top emotional signals: Empathy 30%, Humor 25%, Inspiration 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Humor25%
- Inspiration20%
- Joy15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Humor, Inspiration. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Humor and Inspiration. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Hope
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Empathy
Dominant emotion: Humor
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Hope | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Empathy | 42 % | 12 % | 38 % | 25 % |
| 7.5 % | ≈ 8′ | Humor | 45 % | 19 % | 43 % | 26 % |
| 12.5 % | ≈ 14′ | Empathy | 49 % | 33 % | 43 % | 25 % |
| 17.5 % | ≈ 19′ | Hope | 51 % | 41 % | 39 % | 19 % |
| 22.5 % | ≈ 25′ | Hope | 54 % | 40 % | 36 % | 14 % |
| 27.5 % | ≈ 31′ | Humor | 58 % | 43 % | 33 % | 11 % |
| 32.5 % | ≈ 36′ | Hope | 60 % | 50 % | 35 % | 14 % |
| 37.5 % | ≈ 42′ | Hope | 56 % | 48 % | 41 % | 18 % |
| 42.5 % | ≈ 47′ | Hope | 53 % | 44 % | 38 % | 13 % |
| 47.5 % | ≈ 53′ | Hope | 55 % | 41 % | 31 % | 6 % |
| 52.5 % | ≈ 58′ | Humor | 56 % | 31 % | 31 % | 10 % |
| 57.5 % | ≈ 64′ | Humor | 55 % | 33 % | 38 % | 19 % |
| 62.5 % | ≈ 69′ | Hope | 59 % | 50 % | 44 % | 20 % |
| 67.5 % | ≈ 75′ | Hope | 63 % | 50 % | 44 % | 21 % |
| 72.5 % | ≈ 80′ | Tension | 63 % | 26 % | 45 % | 33 % |
| 77.5 % | ≈ 86′ | Tension | 69 % | 15 % | 55 % | 53 % |
| 82.5 % | ≈ 92′ | Sadness | 76 % | 31 % | 65 % | 64 % |
| 87.5 % | ≈ 97′ | Hope | 73 % | 54 % | 60 % | 44 % |
| 92.5 % | ≈ 103′ | Hope | 67 % | 62 % | 50 % | 20 % |
| 97.5 % | ≈ 108′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Goffredo
Roby
Luisa
Caterina
Madre di Gigio
Scorbutico
Enzo
Details
- Directed by
- Giulio Manfredonia
- Written by
- Fabio Bonifacci, Giulio Manfredonia
- Type
- Movies
- Released
- 2008
- Runtime
- 111 min
- Country
- Italy
- Genres
- Comedy
- Ratings
- Feels mostly
- Empathy
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





