Time Is Up
2021 · 108 min · Director: Elisa Amoruso
Show plot summary (may contain spoilers)
An accident will force 'Vivien' and Royan to come to a stop and reclaim their lives, one minute at the time, and finally start living in a present that perhaps will prove to be more exciting than any predefined.
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Emotional fingerprint
Time Is Up (2021) — Movie. Top emotional signals: Love 30%, Sadness 20%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love30%
- Sadness20%
- Anxiety20%
- Satisfaction15%
- Hope15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Sadness, Anxiety. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Sadness and Anxiety. Its IMDb rating of 4.3/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 54/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Joy
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Love | 42 % | 15 % | 27 % | 35 % |
| 7.5 % | ≈ 8′ | Joy | 39 % | 19 % | 26 % | 29 % |
| 12.5 % | ≈ 14′ | Love | 38 % | 25 % | 29 % | 26 % |
| 17.5 % | ≈ 19′ | Love | 35 % | 23 % | 26 % | 25 % |
| 22.5 % | ≈ 24′ | Joy | 40 % | 16 % | 23 % | 31 % |
| 27.5 % | ≈ 30′ | Tension | 51 % | 15 % | 19 % | 44 % |
| 32.5 % | ≈ 35′ | Hope | 56 % | 25 % | 11 % | 46 % |
| 37.5 % | ≈ 41′ | Sadness | 57 % | 41 % | 10 % | 48 % |
| 42.5 % | ≈ 46′ | Sadness | 56 % | 37 % | 25 % | 39 % |
| 47.5 % | ≈ 51′ | Love | 57 % | 30 % | 42 % | 26 % |
| 52.5 % | ≈ 57′ | Sadness | 63 % | 41 % | 40 % | 39 % |
| 57.5 % | ≈ 62′ | Tension | 66 % | 51 % | 29 % | 57 % |
| 62.5 % | ≈ 68′ | Sadness | 64 % | 44 % | 29 % | 51 % |
| 67.5 % | ≈ 73′ | Hope | 59 % | 29 % | 34 % | 39 % |
| 72.5 % | ≈ 78′ | Tension | 60 % | 34 % | 34 % | 38 % |
| 77.5 % | ≈ 84′ | Sadness | 61 % | 49 % | 35 % | 34 % |
| 82.5 % | ≈ 89′ | Sadness | 60 % | 45 % | 44 % | 36 % |
| 87.5 % | ≈ 95′ | Love | 57 % | 34 % | 50 % | 38 % |
| 92.5 % | ≈ 100′ | Love | 46 % | 29 % | 40 % | 23 % |
| 97.5 % | ≈ 105′ | Sadness | 37 % | 28 % | 28 % | 12 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Roy
Christine
Bryan
Dylan
Sarah
April
Adam
Madre di Roy
Receptionist
Barwoman
Primario Neurologia
Roy bambino
Infermiera New York
Details
- Directed by
- Elisa Amoruso
- Written by
- Elisa Amoruso, Marco Belardi, Patrizia Fiorellini, Lorenzo Ura
- Type
- Movies
- Released
- 2021
- Runtime
- 108 min
- Country
- Italy
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





