Beyond the Infinite Two Minutes
2020 · 70 min · Director: Junta Yamaguchi
Show plot summary (may contain spoilers)
Cafe owner Kato lives right above his cafe. Suddenly he gets a message from himself. He learns that the TV screen in his cafe is two minutes ahead of time. When his friends discover this, they play around with it. But they get into trouble when they use the TV to get their hands on some money. It soon turns out that money belongs to some gangsters.
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Emotional fingerprint
Beyond the Infinite Two Minutes (2020) — Movie. Top emotional signals: Humor 28%, Surprise 22%, Curiosity 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor28%
- Surprise22%
- Curiosity20%
- Excitement15%
- Joy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Surprise, Curiosity. Genres: Comedy, Sci-Fi. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Surprise and Curiosity. Its IMDb rating of 7.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Humor
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Humor | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 53 % | 60 % | 32 % | 9 % |
| 7.5 % | ≈ 5′ | Curiosity | 59 % | 65 % | 39 % | 11 % |
| 12.5 % | ≈ 9′ | Curiosity | 64 % | 68 % | 50 % | 13 % |
| 17.5 % | ≈ 12′ | Curiosity | 66 % | 69 % | 56 % | 11 % |
| 22.5 % | ≈ 16′ | Curiosity | 66 % | 68 % | 56 % | 12 % |
| 27.5 % | ≈ 19′ | Curiosity | 61 % | 56 % | 53 % | 20 % |
| 32.5 % | ≈ 23′ | Humor | 59 % | 50 % | 50 % | 25 % |
| 37.5 % | ≈ 26′ | Curiosity | 65 % | 63 % | 51 % | 19 % |
| 42.5 % | ≈ 30′ | Curiosity | 71 % | 74 % | 55 % | 17 % |
| 47.5 % | ≈ 33′ | Curiosity | 70 % | 71 % | 59 % | 25 % |
| 52.5 % | ≈ 37′ | Humor | 66 % | 64 % | 55 % | 34 % |
| 57.5 % | ≈ 40′ | Curiosity | 67 % | 55 % | 43 % | 48 % |
| 62.5 % | ≈ 44′ | Tension | 72 % | 45 % | 38 % | 65 % |
| 67.5 % | ≈ 47′ | Tension | 78 % | 38 % | 48 % | 75 % |
| 72.5 % | ≈ 51′ | Tension | 77 % | 39 % | 49 % | 69 % |
| 77.5 % | ≈ 54′ | Relief | 70 % | 49 % | 36 % | 58 % |
| 82.5 % | ≈ 58′ | Tension | 68 % | 51 % | 40 % | 56 % |
| 87.5 % | ≈ 61′ | Humor | 65 % | 40 % | 49 % | 43 % |
| 92.5 % | ≈ 65′ | Relief | 55 % | 23 % | 33 % | 17 % |
| 97.5 % | ≈ 68′ | Love | 50 % | 8 % | 13 % | 3 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Megumi
Tanabe
Ozawa
Narita
Furuya
Kinjo
Ishizuka
Details
- Directed by
- Junta Yamaguchi
- Written by
- Makoto Ueda
- Type
- Movies
- Released
- 2020
- Runtime
- 70 min
- Country
- Japan
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





