Goon
2011 · 92 min · Director: Michael Dowse
Show plot summary (may contain spoilers)
Doug Glatt of Orange, Massachusetts is floundering in life, having no real sense of where he fits. He doesn't have the book-smarts to become a doctor like his adoptive father or his gay adoptive brother Ira. And he doesn't have the passion that his best friend Pat has for his self-appointed work, hosting a hockey-based cable call-in show, Hot Ice. Because his fists and skull are like steel, Doug is good at the enforcement part of his job as a bouncer despite his innocent, naturally-friendly approach to dealing with people and situations. An incident involving Doug in the stands of an Orangetown Assassins minor-league hockey game leads to the coach, Rollie Hortense, offering Doug a tryout with the team as its enforcer, although Rollie has no idea if Doug even knows how to play ice hockey (he doesn't). Learning just enough hockey skills, Doug makes the team, but Rollie believes that he'd be a bigger asset on his brother Ronnie Hortense's team, the Halifax Highlanders. Ronnie has one player, Xavier LaFlamme, who was once well on his way to a successful NHL career, until he was blown a vicious hit three years ago by aged enforcer Ross "the Boss" Rhea, after which Xavier lost his hockey mojo. Doug's role would be to protect Xavier while somehow giving him the confidence to feel safe playing hockey freely again. Doug relishes this new role, first with the Assassins then with the Highlanders, as he likes hockey and he stands up for what and who he believes in. But Doug might have obstacles in proving himself to those that matter: the coaches, his family, his fellow players--especially Xavier--and a girl named Eva, who's already in a relationship, but Doug is falling for her. He must also prove himself to Ross the Boss, whom Xavier has not met on the ice since that hit.
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Emotional fingerprint
Goon (2011) — Movie. Top emotional signals: Humor 35%, Excitement 25%, Joy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Excitement25%
- Joy20%
- Love10%
- Empathy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Joy. Genres: Comedy, Drama, Sport. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Joy. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Humor
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Joy
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Humor | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 52 % | 38 % | 42 % | 15 % |
| 7.5 % | ≈ 7′ | Humor | 56 % | 36 % | 50 % | 24 % |
| 12.5 % | ≈ 12′ | Humor | 55 % | 31 % | 50 % | 21 % |
| 17.5 % | ≈ 16′ | Humor | 53 % | 26 % | 50 % | 14 % |
| 22.5 % | ≈ 21′ | Humor | 53 % | 26 % | 53 % | 13 % |
| 27.5 % | ≈ 25′ | Humor | 53 % | 25 % | 51 % | 15 % |
| 32.5 % | ≈ 30′ | Humor | 55 % | 31 % | 46 % | 28 % |
| 37.5 % | ≈ 35′ | Joy | 59 % | 45 % | 40 % | 41 % |
| 42.5 % | ≈ 39′ | Joy | 64 % | 40 % | 44 % | 53 % |
| 47.5 % | ≈ 44′ | Joy | 71 % | 29 % | 48 % | 53 % |
| 52.5 % | ≈ 48′ | Empathy | 73 % | 40 % | 35 % | 31 % |
| 57.5 % | ≈ 53′ | Tension | 68 % | 51 % | 21 % | 16 % |
| 62.5 % | ≈ 58′ | Sadness | 64 % | 49 % | 19 % | 13 % |
| 67.5 % | ≈ 62′ | Tension | 66 % | 59 % | 25 % | 23 % |
| 72.5 % | ≈ 67′ | Tension | 69 % | 60 % | 32 % | 43 % |
| 77.5 % | ≈ 71′ | Joy | 68 % | 48 % | 31 % | 44 % |
| 82.5 % | ≈ 76′ | Tension | 74 % | 60 % | 21 % | 29 % |
| 87.5 % | ≈ 81′ | Tension | 83 % | 69 % | 18 % | 33 % |
| 92.5 % | ≈ 85′ | Joy | 77 % | 54 % | 21 % | 48 % |
| 97.5 % | ≈ 90′ | Tension | 65 % | 47 % | 22 % | 40 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Gord Ogilvey
Park Kim
Backup Goalie
Donovan
Reg
Details
- Directed by
- Michael Dowse
- Written by
- Jay Baruchel, Evan Goldberg, Adam Frattasio
- Type
- Movies
- Released
- 2011
- Runtime
- 92 min
- Country
- United States, Canada
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
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Free
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