feeldb

The First Beautiful Thing

2010 · 122 min · Director: Paolo Virzì ★ IMDb 7 · 5,693 ratings

Show plot summary (may contain spoilers)

A misanthropic professor returns to his hometown to assist his dying mother.

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Emotional fingerprint

The First Beautiful Thing (2010) — Movie. Top emotional signals: Empathy 28%, Sadness 25%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

20%Humor
  1. Humor20%
  2. Love15%
  3. Relief12%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Empathy, Sadness, Humor. Genres: Comedy, Drama. AI estimate.

Is it worth watching?

Consider this title if you are looking for Empathy, Sadness and Humor. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.

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Emotional journey

AI · from subtitles
  • Sadness
  • Empathy
  • Love

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Sadness

Dominant emotion: Empathy

Dominant emotion: Tension

Dominant emotion: Love

Sadness
Empathy
Love
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 38 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensitySadnessEmpathyLove
2.5 %≈ 3′Humor43 %15 %20 %10 %
7.5 %≈ 9′Sadness51 %38 %36 %13 %
12.5 %≈ 15′Sadness57 %48 %50 %18 %
17.5 %≈ 21′Empathy56 %41 %53 %21 %
22.5 %≈ 27′Sadness51 %38 %46 %23 %
27.5 %≈ 34′Humor44 %26 %36 %23 %
32.5 %≈ 40′Humor46 %25 %41 %26 %
37.5 %≈ 46′Empathy57 %36 %53 %29 %
42.5 %≈ 52′Tension63 %32 %50 %26 %
47.5 %≈ 58′Tension58 %25 %44 %28 %
52.5 %≈ 64′Empathy51 %31 %45 %32 %
57.5 %≈ 70′Empathy53 %36 %49 %39 %
62.5 %≈ 76′Love51 %28 %44 %36 %
67.5 %≈ 82′Humor48 %20 %36 %24 %
72.5 %≈ 88′Tension54 %29 %44 %24 %
77.5 %≈ 95′Empathy59 %36 %53 %34 %
82.5 %≈ 101′Humor59 %34 %51 %44 %
87.5 %≈ 107′Love70 %48 %59 %60 %
92.5 %≈ 113′Sadness80 %69 %69 %66 %
97.5 %≈ 119′Sadness77 %72 %67 %58 %
Oedipus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

CP
Claudia Pandolfi

Valeria Michelucci

Marco Messeri

Il Nesi

FS
Fabrizia Sacchi

Sandra

AF
Aurora Frasca

Valeria Michelucci 1971

GB
Giacomo Bibbiani

Bruno Michelucci 1971

GB
Giulia Burgalassi

Valeria Michelucci 1981

FR
Francesco Rapalino

Bruno Michelucci 1981

SA
Sergio Albelli

Mario Michelucci

IC
Isabella Cecchi

Zia Leda Nigiotti

EB
Emanuele Barresi

Roberto Lenzi

DB
Dario Ballantini

Avvocato Cenerini

PR
Paolo Ruffini

Cristiano Cenerini

FB
Fabrizio Brandi

Giancarlo 2009

JD
Jacopo Dini

Giancarlo 1981

MC
Michele Crestacci

Luciano Vallesi

RR
Roberto Rondelli

Armando Mansani (as Bobo Rondelli)

SM
Sirio Malfatti

Professor Cerrai

Details

Directed by
Paolo Virzì
Type
Movies
Released
2010
Runtime
122 min
Country
Italy
Genres
Comedy, Drama
Ratings
★ IMDb 7 · 5,693 ratings
Feels mostly
Empathy
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.