Tuesday, After Christmas
2010 · 99 min · Director: Radu Muntean
Show plot summary (may contain spoilers)
Paul, a banker in Bucharest, has been married for ten years to Adriana and they have an adored daughter Mara. The child has tooth problems which are being tended by Raluca, an attractive young orthodontist. Since first seeing her in the summer, Paul has been having a secret affair with her. But, as Christmas approaches, tensions mount. While he loves both women, Raluca tells him what he already knows: that he must choose. When he says to his wife that he is in love with Raluca, she orders him to move out and to say nothing to Mara. The round of Christmas festivities then begins, with the couple pretending outwardly that nothing is wrong. Action is postponed until the Tuesday after Christmas.
Emotional fingerprint
Tuesday, After Christmas (2010) — Movie. Top emotional signals: Sadness 30%, Anxiety 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness30%
- Anxiety25%
- Empathy20%
- Melancholy15%
- Love10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Anxiety, Empathy. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Anxiety and Empathy. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Tension
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Tension | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 38 % | 1 % | 9 % | 5 % |
| 7.5 % | ≈ 7′ | Love | 34 % | 2 % | 11 % | 6 % |
| 12.5 % | ≈ 12′ | Humor | 29 % | 4 % | 14 % | 10 % |
| 17.5 % | ≈ 17′ | Humor | 32 % | 6 % | 23 % | 16 % |
| 22.5 % | ≈ 22′ | Tension | 41 % | 9 % | 37 % | 21 % |
| 27.5 % | ≈ 27′ | Tension | 42 % | 9 % | 41 % | 22 % |
| 32.5 % | ≈ 32′ | Humor | 37 % | 10 % | 34 % | 21 % |
| 37.5 % | ≈ 37′ | Love | 33 % | 12 % | 30 % | 19 % |
| 42.5 % | ≈ 42′ | Tension | 35 % | 14 % | 33 % | 19 % |
| 47.5 % | ≈ 47′ | Tension | 46 % | 28 % | 40 % | 31 % |
| 52.5 % | ≈ 52′ | Sadness | 50 % | 37 % | 39 % | 38 % |
| 57.5 % | ≈ 57′ | Love | 50 % | 37 % | 41 % | 38 % |
| 62.5 % | ≈ 62′ | Tension | 68 % | 55 % | 63 % | 56 % |
| 67.5 % | ≈ 67′ | Sadness | 86 % | 75 % | 82 % | 76 % |
| 72.5 % | ≈ 72′ | Tension | 87 % | 77 % | 84 % | 77 % |
| 77.5 % | ≈ 77′ | Sadness | 75 % | 68 % | 67 % | 64 % |
| 82.5 % | ≈ 82′ | Sadness | 54 % | 49 % | 42 % | 44 % |
| 87.5 % | ≈ 87′ | Sadness | 50 % | 44 % | 38 % | 41 % |
| 92.5 % | ≈ 92′ | Sadness | 60 % | 54 % | 50 % | 52 % |
| 97.5 % | ≈ 97′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Tuesday, After Christmas. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Nucu
Narcisa
Ica
Mara Hanganu
Mircea Dumbraveanu
Ralucas Mother
Cosmina
Vanzator de Brazi
Details
- Directed by
- Radu Muntean
- Written by
- Razvan Radulescu, Radu Muntean, Alexandru Baciu
- Type
- Movies
- Released
- 2010
- Runtime
- 99 min
- Country
- Romania
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Subscription
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