Mammuth
2010 · 92 min · Director: Benoît Delépine, Gustave Kervern
Show plot summary (may contain spoilers)
Serge Pilardosse has just turned 60 and is about to retire from his job in a slaughterhouse. He has always worked from the age of sixteen, never been on sick leave. So, how will this man fill his days? He does not like reading; doing odd jobs about the house is not his cup of tea; shopping is not his passion ... To make matters worse, his wife Catherine, who still works in a supermarket, notices that her husband will not get full retirement benefits since some of his former employers failed to do the requisite paperwork. So off goes Serge, riding his old Munch "Mammut" bike, in search of the missing documents ...
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Emotional fingerprint
Mammuth (2010) — Movie. Top emotional signals: Humor 30%, Empathy 25%, Curiosity 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Curiosity. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Curiosity. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Empathy
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Love
Dominant emotion: Melancholy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Empathy | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 37 % | 13 % | 27 % | 30 % |
| 7.5 % | ≈ 7′ | Humor | 43 % | 10 % | 29 % | 35 % |
| 12.5 % | ≈ 12′ | Empathy | 49 % | 9 % | 38 % | 35 % |
| 17.5 % | ≈ 16′ | Empathy | 48 % | 13 % | 38 % | 34 % |
| 22.5 % | ≈ 21′ | Humor | 44 % | 15 % | 30 % | 38 % |
| 27.5 % | ≈ 25′ | Humor | 43 % | 14 % | 31 % | 40 % |
| 32.5 % | ≈ 30′ | Humor | 45 % | 18 % | 39 % | 40 % |
| 37.5 % | ≈ 35′ | Humor | 46 % | 25 % | 43 % | 36 % |
| 42.5 % | ≈ 39′ | Empathy | 49 % | 35 % | 40 % | 30 % |
| 47.5 % | ≈ 44′ | Love | 55 % | 43 % | 38 % | 31 % |
| 52.5 % | ≈ 48′ | Melancholy | 56 % | 31 % | 41 % | 35 % |
| 57.5 % | ≈ 53′ | Melancholy | 59 % | 24 % | 50 % | 31 % |
| 62.5 % | ≈ 58′ | Empathy | 57 % | 25 % | 46 % | 30 % |
| 67.5 % | ≈ 62′ | Humor | 50 % | 16 % | 30 % | 34 % |
| 72.5 % | ≈ 67′ | Tension | 50 % | 11 % | 28 % | 38 % |
| 77.5 % | ≈ 71′ | Humor | 54 % | 21 % | 38 % | 43 % |
| 82.5 % | ≈ 76′ | Love | 57 % | 36 % | 45 % | 40 % |
| 87.5 % | ≈ 81′ | Melancholy | 65 % | 51 % | 50 % | 28 % |
| 92.5 % | ≈ 85′ | Love | 73 % | 67 % | 55 % | 17 % |
| 97.5 % | ≈ 90′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Le viticulteur
Le gardien du cimetière
La grosse Bertha
Le troisléme client du restaurant
Details
- Directed by
- Benoît Delépine, Gustave Kervern
- Written by
- Benoît Delépine, Gustave Kervern
- Type
- Movies
- Released
- 2010
- Runtime
- 92 min
- Country
- France
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
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