feeldb

Breaking the Girls

2012 · 83 min · Director: Jamie Babbit ★ IMDb 5 · 4,015 ratings

Show plot summary (may contain spoilers)

Sara, a college student who was slandered by a classmate, finds herself framed for murder by Alex, who initially proposed the perfect, untraceable crime.

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Emotional fingerprint

Breaking the Girls (2012) — Movie. Top emotional signals: Anxiety 30%, Confusion 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Fear15%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Anxiety, Confusion, Tension. Genres: Thriller, Crime. AI estimate.

Is it worth watching?

Consider this title if you are looking for Anxiety, Confusion and Tension. Its IMDb rating of 5.0/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 57/100.

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Emotional journey

AI · from subtitles
  • Tension
  • Curiosity
  • Disturbing

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Tension

Dominant emotion: Sympathy

Dominant emotion: Relief

Tension
Curiosity
Disturbing
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 68 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionCuriosityDisturbing
2.5 %≈ 2′Curiosity25 %10 %23 %3 %
7.5 %≈ 6′Curiosity30 %16 %28 %5 %
12.5 %≈ 10′Curiosity33 %24 %27 %8 %
17.5 %≈ 15′Curiosity40 %34 %24 %14 %
22.5 %≈ 19′Tension50 %42 %31 %24 %
27.5 %≈ 23′Curiosity55 %37 %41 %34 %
32.5 %≈ 27′Sympathy61 %40 %45 %45 %
37.5 %≈ 31′Tension64 %54 %49 %46 %
42.5 %≈ 35′Curiosity68 %65 %54 %47 %
47.5 %≈ 39′Tension76 %73 %51 %63 %
52.5 %≈ 44′Tension74 %70 %50 %64 %
57.5 %≈ 48′Curiosity71 %66 %61 %55 %
62.5 %≈ 52′Curiosity77 %74 %66 %59 %
67.5 %≈ 56′Tension83 %81 %65 %64 %
72.5 %≈ 60′Curiosity80 %77 %68 %62 %
77.5 %≈ 64′Tension72 %64 %64 %52 %
82.5 %≈ 68′Relief71 %61 %62 %46 %
87.5 %≈ 73′Tension77 %62 %62 %47 %
92.5 %≈ 77′Relief77 %50 %63 %45 %
97.5 %≈ 81′Curiosity77 %43 %70 %54 %
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

MZ
Madeline Zima

Alex Layton

SC
Shanna Collins

Brooke Potter

KL
Kate Levering

Nina Layton

JS
John Stockwell

David Layton

MM
Melanie Mayron

Annie

TS
Tiya Sircar

Piper Sperling

Sam Anderson

Professor Nolan

MD
Manish Dayal

Tim

BM
Billy Mayo

Jones

JA
Jennifer Ann Massey

Jaime Ryan

SC
Steve Crest

Police Officer (uncredited)

Details

Directed by
Jamie Babbit
Written by
Guinevere Turner, Mark Distefano
Type
Movies
Released
2012
Runtime
83 min
Country
United States
Ratings
★ IMDb 5 · 4,015 ratings
Feels mostly
Anxiety
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.