Strays
2023 · 93 min · Director: Josh Greenbaum
Show plot summary (may contain spoilers)
An abandoned dog teams up with other strays to get revenge on his former owner.
Emotional fingerprint
Strays (2023) — Movie. Top emotional signals: Humor 35%, Empathy 25%, Smile 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Empathy25%
- Smile20%
- Anxiety10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Smile. Genres: Comedy, Adventure. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Smile. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Humor
- Empathy
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Empathy | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 62 % | 48 % | 48 % | 28 % |
| 7.5 % | ≈ 7′ | Empathy | 65 % | 49 % | 46 % | 33 % |
| 12.5 % | ≈ 12′ | Humor | 69 % | 61 % | 29 % | 24 % |
| 17.5 % | ≈ 16′ | Humor | 70 % | 70 % | 24 % | 18 % |
| 22.5 % | ≈ 21′ | Humor | 72 % | 64 % | 44 % | 24 % |
| 27.5 % | ≈ 26′ | Sadness | 74 % | 56 % | 53 % | 26 % |
| 32.5 % | ≈ 30′ | Humor | 71 % | 59 % | 38 % | 36 % |
| 37.5 % | ≈ 35′ | Tension | 70 % | 63 % | 29 % | 49 % |
| 42.5 % | ≈ 40′ | Humor | 69 % | 64 % | 29 % | 48 % |
| 47.5 % | ≈ 44′ | Humor | 69 % | 63 % | 28 % | 48 % |
| 52.5 % | ≈ 49′ | Humor | 69 % | 56 % | 34 % | 48 % |
| 57.5 % | ≈ 53′ | Humor | 68 % | 54 % | 46 % | 49 % |
| 62.5 % | ≈ 58′ | Humor | 70 % | 60 % | 49 % | 51 % |
| 67.5 % | ≈ 63′ | Humor | 73 % | 60 % | 49 % | 46 % |
| 72.5 % | ≈ 67′ | Empathy | 71 % | 49 % | 54 % | 48 % |
| 77.5 % | ≈ 72′ | Tension | 72 % | 41 % | 57 % | 59 % |
| 82.5 % | ≈ 77′ | Empathy | 76 % | 45 % | 53 % | 61 % |
| 87.5 % | ≈ 81′ | Humor | 76 % | 57 % | 35 % | 44 % |
| 92.5 % | ≈ 86′ | Joy | 75 % | 65 % | 28 % | 23 % |
| 97.5 % | ≈ 91′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Munchkin (voice)
Afghan Hound (voice)
Jenna
Doug's Girlfriend
Riley
Details
- Directed by
- Josh Greenbaum
- Written by
- Dan Perrault
- Type
- Movies
- Released
- 2023
- Runtime
- 93 min
- Country
- United States, United Kingdom
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
