Unlikely Revolutionaries
2010 · 102 min · Director: Lucio Pellegrini
Show plot summary (may contain spoilers)
An industrial accident ; a widow ; a few angry workers... Toni is chosen to be their representative on a TV set. But confronted with a minister, he does not measure up to him. After the recording of the show, Toni meets a substitute gym teacher and the two men become friends. They decide to kidnap the minister and hold him to ransom in order to compensate the widow and her family. Ramon, a man recently released from prison, joins them. The kidnapping succeeds... at least at first sight!
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Emotional fingerprint
Unlikely Revolutionaries (2010) — Movie. Top emotional signals: Humor 35%, Joy 25%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Joy25%
- Excitement20%
- Love10%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Excitement. Genres: Comedy, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Excitement. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sympathy
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sympathy | 49 % | 30 % | 40 % | 30 % |
| 7.5 % | ≈ 8′ | Humor | 56 % | 46 % | 41 % | 18 % |
| 12.5 % | ≈ 13′ | Humor | 58 % | 56 % | 34 % | 11 % |
| 17.5 % | ≈ 18′ | Humor | 51 % | 51 % | 25 % | 14 % |
| 22.5 % | ≈ 23′ | Humor | 49 % | 49 % | 23 % | 19 % |
| 27.5 % | ≈ 28′ | Humor | 54 % | 51 % | 31 % | 24 % |
| 32.5 % | ≈ 33′ | Humor | 59 % | 54 % | 41 % | 26 % |
| 37.5 % | ≈ 38′ | Humor | 58 % | 55 % | 40 % | 25 % |
| 42.5 % | ≈ 43′ | Humor | 58 % | 51 % | 35 % | 28 % |
| 47.5 % | ≈ 48′ | Sympathy | 55 % | 43 % | 25 % | 36 % |
| 52.5 % | ≈ 54′ | Humor | 52 % | 44 % | 24 % | 29 % |
| 57.5 % | ≈ 59′ | Humor | 55 % | 53 % | 34 % | 16 % |
| 62.5 % | ≈ 64′ | Humor | 52 % | 50 % | 35 % | 20 % |
| 67.5 % | ≈ 69′ | Humor | 52 % | 43 % | 40 % | 28 % |
| 72.5 % | ≈ 74′ | Tension | 58 % | 36 % | 48 % | 36 % |
| 77.5 % | ≈ 79′ | Sympathy | 65 % | 30 % | 51 % | 44 % |
| 82.5 % | ≈ 84′ | Tension | 70 % | 28 % | 61 % | 41 % |
| 87.5 % | ≈ 89′ | Tension | 69 % | 23 % | 50 % | 44 % |
| 92.5 % | ≈ 94′ | Sadness | 67 % | 13 % | 23 % | 53 % |
| 97.5 % | ≈ 99′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Mario
Carmen
Ivo
Self
Alba
Details
- Directed by
- Lucio Pellegrini
- Written by
- Lucio Pellegrini, Michele Pellegrini, Francesco Cenni
- Type
- Movies
- Released
- 2010
- Runtime
- 102 min
- Country
- Italy
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





