Jo's Boy
2011 · 95 min · Director: Philippe Guillard
Show plot summary (may contain spoilers)
Grandson of a rugby legend, son of a rugby legend and himself a rugby legend, Jo Canavaro brings up his 13 year old son, Tom, alone in a small village in the Tarn region of France. To the great shame of Jo, Tom is as excellent at maths as he is useless on the field. For a Canavaro, the legend can't stop here. He is prepared to create a rugby team for Tom against the will of the entire village and Tom himself.
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Emotional fingerprint
Jo's Boy (2011) — Movie. Top emotional signals: Empathy 30%, Humor 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Humor25%
- Love20%
- Sadness15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Humor, Love. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Humor and Love. Its IMDb rating of 5.7/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Humor
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Humor | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 45 % | 27 % | 39 % | 13 % |
| 7.5 % | ≈ 7′ | Humor | 46 % | 36 % | 38 % | 11 % |
| 12.5 % | ≈ 12′ | Humor | 47 % | 42 % | 40 % | 14 % |
| 17.5 % | ≈ 17′ | Humor | 49 % | 42 % | 39 % | 18 % |
| 22.5 % | ≈ 21′ | Tension | 49 % | 39 % | 34 % | 16 % |
| 27.5 % | ≈ 26′ | Humor | 44 % | 33 % | 35 % | 18 % |
| 32.5 % | ≈ 31′ | Humor | 41 % | 31 % | 36 % | 21 % |
| 37.5 % | ≈ 36′ | Empathy | 43 % | 32 % | 37 % | 18 % |
| 42.5 % | ≈ 40′ | Humor | 44 % | 27 % | 41 % | 15 % |
| 47.5 % | ≈ 45′ | Humor | 41 % | 25 % | 38 % | 18 % |
| 52.5 % | ≈ 50′ | Humor | 44 % | 31 % | 38 % | 28 % |
| 57.5 % | ≈ 55′ | Humor | 47 % | 30 % | 44 % | 34 % |
| 62.5 % | ≈ 59′ | Humor | 48 % | 29 % | 39 % | 28 % |
| 67.5 % | ≈ 64′ | Empathy | 54 % | 45 % | 29 % | 24 % |
| 72.5 % | ≈ 69′ | Empathy | 60 % | 55 % | 33 % | 34 % |
| 77.5 % | ≈ 74′ | Joy | 66 % | 58 % | 37 % | 43 % |
| 82.5 % | ≈ 78′ | Empathy | 73 % | 62 % | 25 % | 43 % |
| 87.5 % | ≈ 83′ | Joy | 71 % | 53 % | 30 % | 46 % |
| 92.5 % | ≈ 88′ | Humor | 52 % | 34 % | 39 % | 37 % |
| 97.5 % | ≈ 93′ | Humor | 35 % | 16 % | 33 % | 21 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
Tom Canavaro, Jo's boy
Frontignan
Jonah Tukalo
Fanny Hamilton, Alice's daughter
Father Puissagay
Colette Brisson
Mrs. Quentin
Pilou
'Caillou'
The other father
Teacher
'Kiki'
Titi's father
Details
- Directed by
- Philippe Guillard
- Written by
- Philippe Guillard
- Type
- Movies
- Released
- 2011
- Runtime
- 95 min
- Country
- France
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





