feeldb

Montevideo: Taste of a Dream

2010 · 140 min · Director: Dragan Bjelogrlic ★ IMDb 8.1 · 13,839 ratings

Show plot summary (may contain spoilers)

Based on the book by famous sport journalist, Vladimir Stankovic, dramatized by renowned screenplay writers Srdjan Dragojevic and Ranko Bozic under the first-time director's palette of actor Dragan Bjelogrlic, this historical melodrama gives us an unique and somewhat nostalgic view into the 1930's of Belgrade and resurrects the old times reminding us of a quite distinctive era when values and virtues were something very different from what they are today. Thanks to the production teams of Intermedia Network, the epoch comes to life and at times we feel hypnotized by the magic of the cobblestone streets of Cubura, audiences sense the hype of using electricity, birth of the radio and the growing trend of cabaret nightclubs and Ford T model cars just like the one owned by then soccer star, Blagoje Mosa Marjanovic (Petar Strugar). This show introduces us to a whole new generation of young actors (Milos Bikovic, Viktor Savic, Aleksandar Radojicic, Nenad Herakovic, Uros Jovcic, Nenad Herakovic, Milan Nikitovic, Rade Cosic, Bojan Krivokapic and Aleksandar Filimonovic) who play the roles of almost forgotten historical figures, soccer gods, players of the then most popular and valiant clubs, BSK and Yugoslavia and a very extraordinary goalie from the less recognized Soko Club (Andrija Kuzmanovic). Other roles were cast out to the very best of Serbian cinematography such as Srdjan Todorovic, Slobodan Boda Ninkovic, Nikola Djuricko, Vojin Cetkovic, Branimir Brstina, Mima Karadzic, Marko Zivic, Sergej Trifunovic, Marko Nikolic, Anita Mancic, Branka Pujic and others, just to name a few. The subject of soccer seems to take lead but very soon we see that love, heroism, companionship, faith, honor, patriotism and respect are actually the main characters. Throughout the episodes, the inhabitants of Belgrade are introduced to us via their individual and almost quirky personalities, aspirations and head-strong ambitions, innovations that were then considered to be ludicrous and the constantly present ideal of an almost impossible trip to the first FIFA World Cup in a place that seems to be at the end of the globe, far away Montevideo, Uruguay.

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Emotional fingerprint

Montevideo: Taste of a Dream (2010) — Movie. Top emotional signals: Inspiration 35%, Nostalgia 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love20%
  2. Hope10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Inspiration, Nostalgia, Love. Genres: Comedy, Drama, Adventure. AI estimate.

Is it worth watching?

Consider this title if you are looking for Inspiration, Nostalgia and Love. Its IMDb rating of 8.1/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 75/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Hope
  • Joy
  • Humor

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Hope

Dominant emotion: Love

Dominant emotion: Tension

Dominant emotion: Joy

Hope
Joy
Humor
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 83 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityHopeJoyHumor
2.5 %≈ 4′Humor35 %25 %10 %25 %
7.5 %≈ 11′Hope37 %30 %14 %30 %
12.5 %≈ 18′Humor40 %26 %20 %36 %
17.5 %≈ 25′Love40 %16 %21 %38 %
22.5 %≈ 32′Humor44 %23 %25 %38 %
27.5 %≈ 39′Hope49 %39 %33 %36 %
32.5 %≈ 46′Hope50 %40 %31 %35 %
37.5 %≈ 53′Tension53 %31 %34 %36 %
42.5 %≈ 60′Joy54 %24 %40 %40 %
47.5 %≈ 67′Humor48 %19 %29 %40 %
52.5 %≈ 74′Humor45 %15 %14 %39 %
57.5 %≈ 81′Humor50 %13 %14 %44 %
62.5 %≈ 88′Humor50 %20 %21 %46 %
67.5 %≈ 95′Humor48 %30 %24 %39 %
72.5 %≈ 102′Tension51 %38 %18 %24 %
77.5 %≈ 109′Hope56 %45 %11 %16 %
82.5 %≈ 116′Hope61 %50 %26 %25 %
87.5 %≈ 123′Joy73 %60 %60 %33 %
92.5 %≈ 130′Joy79 %69 %71 %26 %
97.5 %≈ 137′Hope75 %70 %58 %17 %
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

PS
Petar Strugar

NJ
Nina Jankovic

VS
Viktor Savić

Milutin Ivković 'Milutinac'

PV
Predrag Vasić

Mali Stanoje

VĆ
Vojin Ćetković

Mihajlo Andrejević

NĐ
Nikola Đuričko

Živković

S'
Slobodan 'Boda' Ninković

Đorđe Kustudić

S'
Srđan 'Žika' Todorović

Bora Jovanović

ST
Sergej Trifunović

Anđelko Komatina

M'
Milutin 'Mima' Karadžić

Rajko

BB
Branimir Brstina

Bogdan

DJ
Danina Jeftić

Rosa

NI
Nebojša Ilić

Dunster

MŽ
Marko Živić

Isak

AR
Aleksandar Radojičić

Milorad Arsenijević

UJ
Uroš Jovčić

Đorđe Vujadinović 'Nosonja'

BK
Bojan Krivokapić

Momčilo Đokić 'Gusar'

AK
Andrija Kuzmanović

NH
Nenad Heraković

Dragoslav Mihajlović 'Vampir'

Details

Directed by
Dragan Bjelogrlic
Written by
Srdjan Dragojevic, Ranko Bozic, Vladimir Stankovic, Srđan Dragojević
Type
Movies
Released
2010
Runtime
140 min
Country
Serbia
Ratings
★ IMDb 8.1 · 13,839 ratings
Feels mostly
Inspiration
Data updated

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Emotion overlap shows mood similarity, not a prediction of enjoyment.