Montevideo: Taste of a Dream
2010 · 140 min · Director: Dragan Bjelogrlic
Show plot summary (may contain spoilers)
Based on the book by famous sport journalist, Vladimir Stankovic, dramatized by renowned screenplay writers Srdjan Dragojevic and Ranko Bozic under the first-time director's palette of actor Dragan Bjelogrlic, this historical melodrama gives us an unique and somewhat nostalgic view into the 1930's of Belgrade and resurrects the old times reminding us of a quite distinctive era when values and virtues were something very different from what they are today. Thanks to the production teams of Intermedia Network, the epoch comes to life and at times we feel hypnotized by the magic of the cobblestone streets of Cubura, audiences sense the hype of using electricity, birth of the radio and the growing trend of cabaret nightclubs and Ford T model cars just like the one owned by then soccer star, Blagoje Mosa Marjanovic (Petar Strugar). This show introduces us to a whole new generation of young actors (Milos Bikovic, Viktor Savic, Aleksandar Radojicic, Nenad Herakovic, Uros Jovcic, Nenad Herakovic, Milan Nikitovic, Rade Cosic, Bojan Krivokapic and Aleksandar Filimonovic) who play the roles of almost forgotten historical figures, soccer gods, players of the then most popular and valiant clubs, BSK and Yugoslavia and a very extraordinary goalie from the less recognized Soko Club (Andrija Kuzmanovic). Other roles were cast out to the very best of Serbian cinematography such as Srdjan Todorovic, Slobodan Boda Ninkovic, Nikola Djuricko, Vojin Cetkovic, Branimir Brstina, Mima Karadzic, Marko Zivic, Sergej Trifunovic, Marko Nikolic, Anita Mancic, Branka Pujic and others, just to name a few. The subject of soccer seems to take lead but very soon we see that love, heroism, companionship, faith, honor, patriotism and respect are actually the main characters. Throughout the episodes, the inhabitants of Belgrade are introduced to us via their individual and almost quirky personalities, aspirations and head-strong ambitions, innovations that were then considered to be ludicrous and the constantly present ideal of an almost impossible trip to the first FIFA World Cup in a place that seems to be at the end of the globe, far away Montevideo, Uruguay.
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Emotional fingerprint
Montevideo: Taste of a Dream (2010) — Movie. Top emotional signals: Inspiration 35%, Nostalgia 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Inspiration35%
- Nostalgia25%
- Love20%
- Excitement10%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Inspiration, Nostalgia, Love. Genres: Comedy, Drama, Adventure. AI estimate.
Is it worth watching?
Consider this title if you are looking for Inspiration, Nostalgia and Love. Its IMDb rating of 8.1/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 75/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Hope
- Joy
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Hope
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Hope | Joy | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 4′ | Humor | 35 % | 25 % | 10 % | 25 % |
| 7.5 % | ≈ 11′ | Hope | 37 % | 30 % | 14 % | 30 % |
| 12.5 % | ≈ 18′ | Humor | 40 % | 26 % | 20 % | 36 % |
| 17.5 % | ≈ 25′ | Love | 40 % | 16 % | 21 % | 38 % |
| 22.5 % | ≈ 32′ | Humor | 44 % | 23 % | 25 % | 38 % |
| 27.5 % | ≈ 39′ | Hope | 49 % | 39 % | 33 % | 36 % |
| 32.5 % | ≈ 46′ | Hope | 50 % | 40 % | 31 % | 35 % |
| 37.5 % | ≈ 53′ | Tension | 53 % | 31 % | 34 % | 36 % |
| 42.5 % | ≈ 60′ | Joy | 54 % | 24 % | 40 % | 40 % |
| 47.5 % | ≈ 67′ | Humor | 48 % | 19 % | 29 % | 40 % |
| 52.5 % | ≈ 74′ | Humor | 45 % | 15 % | 14 % | 39 % |
| 57.5 % | ≈ 81′ | Humor | 50 % | 13 % | 14 % | 44 % |
| 62.5 % | ≈ 88′ | Humor | 50 % | 20 % | 21 % | 46 % |
| 67.5 % | ≈ 95′ | Humor | 48 % | 30 % | 24 % | 39 % |
| 72.5 % | ≈ 102′ | Tension | 51 % | 38 % | 18 % | 24 % |
| 77.5 % | ≈ 109′ | Hope | 56 % | 45 % | 11 % | 16 % |
| 82.5 % | ≈ 116′ | Hope | 61 % | 50 % | 26 % | 25 % |
| 87.5 % | ≈ 123′ | Joy | 73 % | 60 % | 60 % | 33 % |
| 92.5 % | ≈ 130′ | Joy | 79 % | 69 % | 71 % | 26 % |
| 97.5 % | ≈ 137′ | Hope | 75 % | 70 % | 58 % | 17 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Milutin Ivković 'Milutinac'
Mali Stanoje
Mihajlo Andrejević
Rajko
Bogdan
Rosa
Dunster
Isak
Milorad Arsenijević
Đorđe Vujadinović 'Nosonja'
Momčilo Đokić 'Gusar'
Dragoslav Mihajlović 'Vampir'
Details
- Directed by
- Dragan Bjelogrlic
- Written by
- Srdjan Dragojevic, Ranko Bozic, Vladimir Stankovic, Srđan Dragojević
- Type
- Movies
- Released
- 2010
- Runtime
- 140 min
- Country
- Serbia
- Ratings
- Feels mostly
- Inspiration
- Data updated
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