The Names of Love
2010 · 100 min · Director: Michel Leclerc
Show plot summary (may contain spoilers)
Bahia Benmahmoud, a free-spirited young woman, has a particular way of seeing political engagement, as she doesn't hesitate to sleep with those who don't agree with her to convert them to her cause - which is a lot of people, as all right-leaning people are concerned. Generally, it works pretty well. Until the day she meets Arthur Martin, a discreet forty-something who doesn't like taking risks. She imagines that with a name like that, he's got to be slightly fascist. But names are deceitful and appearances deceiving...
Emotional fingerprint
The Names of Love (2010) — Movie. Top emotional signals: Humor 30%, Love 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Love25%
- Empathy20%
- Surprise15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Empathy. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Empathy. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Empathy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Empathy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 45 % | 35 % | 30 % | 5 % |
| 7.5 % | ≈ 8′ | Sadness | 50 % | 34 % | 41 % | 13 % |
| 12.5 % | ≈ 13′ | Humor | 54 % | 38 % | 49 % | 14 % |
| 17.5 % | ≈ 18′ | Sadness | 54 % | 39 % | 48 % | 8 % |
| 22.5 % | ≈ 23′ | Humor | 51 % | 41 % | 40 % | 13 % |
| 27.5 % | ≈ 28′ | Humor | 54 % | 50 % | 30 % | 26 % |
| 32.5 % | ≈ 33′ | Humor | 60 % | 59 % | 20 % | 30 % |
| 37.5 % | ≈ 38′ | Humor | 61 % | 56 % | 20 % | 24 % |
| 42.5 % | ≈ 43′ | Tension | 56 % | 44 % | 26 % | 25 % |
| 47.5 % | ≈ 48′ | Love | 51 % | 40 % | 25 % | 29 % |
| 52.5 % | ≈ 53′ | Humor | 53 % | 45 % | 30 % | 29 % |
| 57.5 % | ≈ 58′ | Humor | 59 % | 51 % | 40 % | 29 % |
| 62.5 % | ≈ 63′ | Humor | 60 % | 55 % | 39 % | 23 % |
| 67.5 % | ≈ 68′ | Humor | 55 % | 48 % | 36 % | 25 % |
| 72.5 % | ≈ 73′ | Love | 57 % | 30 % | 46 % | 35 % |
| 77.5 % | ≈ 78′ | Sadness | 68 % | 19 % | 60 % | 34 % |
| 82.5 % | ≈ 83′ | Sadness | 68 % | 26 % | 56 % | 30 % |
| 87.5 % | ≈ 88′ | Humor | 63 % | 40 % | 46 % | 41 % |
| 92.5 % | ≈ 93′ | Love | 67 % | 45 % | 48 % | 58 % |
| 97.5 % | ≈ 98′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about The Names of Love. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Annette à 30 ans
Nassim
Hassan Hassini
Arthur Martin adolescent
Arthur Martin enfant
Bahia Benmahmoud enfant
Annette enfant
Le pianiste
Une ado, la première copine d'Arthur
Le professeur de piano
Himself
Details
- Directed by
- Michel Leclerc
- Written by
- Michel Leclerc, Baya Kasmi
- Type
- Movies
- Released
- 2010
- Runtime
- 100 min
- Country
- France
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Subscription
Also on
Availability varies by country
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