Fisherman's Friends
2019 · 112 min · Director: Chris Foggin
Show plot summary (may contain spoilers)
A fast living, cynical London music executive (Daniel Mays) heads to a remote Cornish village on a stag weekend where he's pranked by his boss (Noel Clarke) into trying to sign a group of shanty singing fishermen (led by James Purefoy). He becomes the ultimate "fish out of water" as he struggles to gain the respect or enthusiasm of the unlikely boy band and their families (including Tuppence Middleton) who value friendship and community over fame and fortune. As he's drawn deeper into the traditional way of life he's forced to reevaluate his own integrity and ultimately question what success really means.
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Emotional fingerprint
Fisherman's Friends (2019) — Movie. Top emotional signals: Humor 25%, Happiness 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor25%
- Happiness25%
- Empathy20%
- Inspiration15%
- Relief15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Happiness, Empathy. Genres: Comedy, Drama, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Happiness and Empathy. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Joy
- Love
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Tension
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Love | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 43 % | 23 % | 15 % | 0 % |
| 7.5 % | ≈ 8′ | Humor | 49 % | 25 % | 9 % | 1 % |
| 12.5 % | ≈ 14′ | Humor | 51 % | 27 % | 5 % | 3 % |
| 17.5 % | ≈ 20′ | Humor | 48 % | 23 % | 5 % | 3 % |
| 22.5 % | ≈ 25′ | Humor | 46 % | 18 % | 8 % | 6 % |
| 27.5 % | ≈ 31′ | Humor | 46 % | 19 % | 14 % | 16 % |
| 32.5 % | ≈ 36′ | Sadness | 44 % | 23 % | 18 % | 20 % |
| 37.5 % | ≈ 42′ | Humor | 44 % | 25 % | 21 % | 14 % |
| 42.5 % | ≈ 48′ | Love | 48 % | 20 % | 24 % | 13 % |
| 47.5 % | ≈ 53′ | Tension | 51 % | 15 % | 24 % | 20 % |
| 52.5 % | ≈ 59′ | Love | 53 % | 20 % | 35 % | 26 % |
| 57.5 % | ≈ 64′ | Love | 55 % | 33 % | 41 % | 19 % |
| 62.5 % | ≈ 70′ | Humor | 55 % | 41 % | 29 % | 9 % |
| 67.5 % | ≈ 76′ | Joy | 54 % | 45 % | 20 % | 10 % |
| 72.5 % | ≈ 81′ | Joy | 65 % | 42 % | 31 % | 30 % |
| 77.5 % | ≈ 87′ | Sadness | 79 % | 24 % | 44 % | 63 % |
| 82.5 % | ≈ 92′ | Sadness | 80 % | 23 % | 48 % | 64 % |
| 87.5 % | ≈ 98′ | Love | 77 % | 53 % | 56 % | 40 % |
| 92.5 % | ≈ 104′ | Joy | 70 % | 61 % | 54 % | 27 % |
| 97.5 % | ≈ 109′ | Love | 57 % | 45 % | 42 % | 23 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Rowan
Driss
Cassie
Leah Beese
Sian Thompson
Trieve
John Pritchard
Abigail
Sally
Journalist
Details
- Directed by
- Chris Foggin
- Written by
- Piers Ashworth, Nick Moorcroft, Meg Leonard
- Type
- Movies
- Released
- 2019
- Runtime
- 112 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Free
Rent
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





