On Chesil Beach
2017 · 110 min · Director: Dominic Cooke
Show plot summary (may contain spoilers)
Adapted by Ian McEwan from his bestselling novel, the drama centers on a young couple of drastically different backgrounds in the summer of 1962. Following the pair through their idyllic courtship, this movie explores sex and the societal pressure that can accompany physical intimacy, leading to an awkward and fateful wedding night.
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Emotional fingerprint
On Chesil Beach (2017) — Movie. Top emotional signals: Melancholy 35%, Sadness 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy35%
- Sadness25%
- Empathy20%
- Love10%
- Anxiety10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Sadness, Empathy. Genres: Drama, Romance, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Sadness and Empathy. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Love | 43 % | 17 % | 2 % | 40 % |
| 7.5 % | ≈ 8′ | Love | 45 % | 25 % | 10 % | 34 % |
| 12.5 % | ≈ 14′ | Empathy | 45 % | 38 % | 23 % | 21 % |
| 17.5 % | ≈ 19′ | Empathy | 48 % | 40 % | 20 % | 29 % |
| 22.5 % | ≈ 25′ | Love | 58 % | 34 % | 6 % | 55 % |
| 27.5 % | ≈ 30′ | Love | 61 % | 35 % | 5 % | 56 % |
| 32.5 % | ≈ 36′ | Tension | 59 % | 41 % | 13 % | 39 % |
| 37.5 % | ≈ 41′ | Love | 59 % | 45 % | 21 % | 39 % |
| 42.5 % | ≈ 47′ | Empathy | 56 % | 48 % | 29 % | 44 % |
| 47.5 % | ≈ 52′ | Love | 51 % | 40 % | 20 % | 45 % |
| 52.5 % | ≈ 58′ | Love | 56 % | 39 % | 13 % | 44 % |
| 57.5 % | ≈ 63′ | Tension | 68 % | 53 % | 26 % | 31 % |
| 62.5 % | ≈ 69′ | Tension | 74 % | 59 % | 41 % | 21 % |
| 67.5 % | ≈ 74′ | Tension | 75 % | 59 % | 48 % | 21 % |
| 72.5 % | ≈ 80′ | Tension | 79 % | 68 % | 61 % | 30 % |
| 77.5 % | ≈ 85′ | Sadness | 83 % | 74 % | 76 % | 34 % |
| 82.5 % | ≈ 91′ | Sadness | 78 % | 69 % | 76 % | 26 % |
| 87.5 % | ≈ 96′ | Sadness | 74 % | 65 % | 73 % | 29 % |
| 92.5 % | ≈ 102′ | Sadness | 76 % | 65 % | 73 % | 37 % |
| 97.5 % | ≈ 107′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Harriet Mayhew
Anne Mayhew
Ruth Ponting
Postman Terry
Timothy
Charles Morrell
Jenny
Sonia
Elsbeth
Young Florence
Harold Mather
Jack
Details
- Directed by
- Dominic Cooke
- Written by
- Ian McEwan
- Type
- Movies
- Released
- 2017
- Runtime
- 110 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Free
Rent
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





