feeldb

This Is Not a Film

2011 · 78 min · Director: Jafar Panahi, Mojtaba Mirtahmasb ★ IMDb 7.4 · 6,322 ratings

Show plot summary (may contain spoilers)

It's been months since Jafar Panahi, stuck in jail, has been awaiting a verdict by the appeals court. By depicting a day in his life, Panahi and Mojtaba Mirtahmasb try to portray the deprivations looming in contemporary Iranian cinema.

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Emotional fingerprint

This Is Not a Film (2011) — Movie. Top emotional signals: Anxiety 30%, Curiosity 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Anxiety, Curiosity, Melancholy. Genres: Documentary. AI estimate.

Is it worth watching?

Consider this title if you are looking for Anxiety, Curiosity and Melancholy. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Curiosity
  • Empathy
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Empathy

Dominant emotion: Sadness

Dominant emotion: Tension

Curiosity
Empathy
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 18 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityCuriosityEmpathySadness
2.5 %≈ 2′Curiosity29 %26 %16 %6 %
7.5 %≈ 6′Empathy39 %24 %32 %20 %
12.5 %≈ 10′Sadness55 %33 %48 %38 %
17.5 %≈ 14′Curiosity57 %48 %46 %35 %
22.5 %≈ 18′Curiosity52 %51 %40 %28 %
27.5 %≈ 21′Curiosity47 %50 %34 %26 %
32.5 %≈ 25′Curiosity52 %48 %36 %34 %
37.5 %≈ 29′Sadness54 %43 %41 %42 %
42.5 %≈ 33′Curiosity49 %38 %40 %37 %
47.5 %≈ 37′Sadness50 %35 %43 %38 %
52.5 %≈ 41′Sadness50 %32 %43 %39 %
57.5 %≈ 45′Sadness51 %37 %41 %38 %
62.5 %≈ 49′Curiosity52 %42 %38 %31 %
67.5 %≈ 53′Tension52 %36 %36 %25 %
72.5 %≈ 57′Empathy55 %29 %45 %33 %
77.5 %≈ 60′Empathy54 %34 %45 %30 %
82.5 %≈ 64′Curiosity50 %43 %41 %22 %
87.5 %≈ 68′Empathy52 %42 %46 %28 %
92.5 %≈ 72′Tension57 %37 %49 %35 %
97.5 %≈ 76′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

I
Igi

MG
Mrs. Gheirat

MM
Mojtaba Mirtahmasb

Self

R
Rakhsan

Self (voice)

S
Sima

Self (voice)

M
Micky

Self

H
Hasan

Self

Details

Directed by
Jafar Panahi, Mojtaba Mirtahmasb
Written by
Jafar Panahi
Type
Movies
Released
2011
Runtime
78 min
Country
Iran
Ratings
★ IMDb 7.4 · 6,322 ratings
Feels mostly
Anxiety
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.