The Stolen
2017 · 98 min · Director: Niall Johnson
Show plot summary (may contain spoilers)
Charlotte Lockton, a wealthy, upper class, English immigrant, chooses to forgo all of her home luxuries to find her kidnapped baby son. She navigates her way through the unruly and wild world of the gold rush in 1860's New Zealand, finding unlikely friendship amongst the hustlers, whores, Maori Warriors and Chinese Miners. But in the end, she must face the man who took the boy - and become the woman she never thought she'd be.
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Emotional fingerprint
The Stolen (2017) — Movie. Top emotional signals: Excitement 30%, Tension 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Tension25%
- Empathy20%
- Hope15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Empathy. Genres: Drama, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Empathy. Its IMDb rating of 5.4/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Hope | 45 % | 33 % | 30 % | 23 % |
| 7.5 % | ≈ 7′ | Tension | 64 % | 56 % | 51 % | 39 % |
| 12.5 % | ≈ 12′ | Empathy | 65 % | 57 % | 57 % | 34 % |
| 17.5 % | ≈ 17′ | Hope | 46 % | 35 % | 39 % | 15 % |
| 22.5 % | ≈ 22′ | Hope | 47 % | 36 % | 31 % | 19 % |
| 27.5 % | ≈ 27′ | Tension | 60 % | 51 % | 39 % | 32 % |
| 32.5 % | ≈ 32′ | Hope | 64 % | 55 % | 48 % | 37 % |
| 37.5 % | ≈ 37′ | Tension | 66 % | 56 % | 51 % | 40 % |
| 42.5 % | ≈ 42′ | Empathy | 60 % | 47 % | 49 % | 31 % |
| 47.5 % | ≈ 47′ | Tension | 55 % | 45 % | 44 % | 27 % |
| 52.5 % | ≈ 51′ | Tension | 59 % | 55 % | 43 % | 33 % |
| 57.5 % | ≈ 56′ | Tension | 57 % | 48 % | 46 % | 25 % |
| 62.5 % | ≈ 61′ | Empathy | 60 % | 43 % | 53 % | 20 % |
| 67.5 % | ≈ 66′ | Tension | 74 % | 64 % | 67 % | 38 % |
| 72.5 % | ≈ 71′ | Tension | 83 % | 78 % | 76 % | 53 % |
| 77.5 % | ≈ 76′ | Empathy | 80 % | 75 % | 70 % | 52 % |
| 82.5 % | ≈ 81′ | Tension | 80 % | 76 % | 60 % | 59 % |
| 87.5 % | ≈ 86′ | Tension | 88 % | 86 % | 64 % | 74 % |
| 92.5 % | ≈ 91′ | Tension | 92 % | 91 % | 70 % | 78 % |
| 97.5 % | ≈ 96′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Bandit
Heather
Klaus
Honey
Matai
David Lockton
Flamenco
Young Maori Wife
German Digger
Mrs. Jones
Farmhand Thief
French Washer Woman
Betty the Maid
Scandinavian Father
Digger Joe
Details
- Directed by
- Niall Johnson
- Written by
- Niall Johnson, Emily Corcoran, Emily Corcoran
- Type
- Movies
- Released
- 2017
- Runtime
- 98 min
- Country
- United Kingdom, Germany, United Arab Emirates, New Zealand
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





