We Are the Night
2010 · 100 min · Director: Dennis Gansel
Show plot summary (may contain spoilers)
The vampires Louise, Charlotte and Nora arrive in Berlin after attacking the passengers and crew of an airplane in a flight to Paris. The leader Louise has been looking for centuries for her missed love and Charlotte misses her daughter that she saw in 1923 for the last time. Meanwhile, the smalltime pickpocket Lena steals a Russian mobster and is chased by Detective Tom. When Lena goes to a nightclub, the lesbian Louise believes that Lena is the love of her life and transforms her into a vampire. Lena initially feels lost with the transformation, but sooner she joins the trio of vampires in their nightlife. When the pack of vampires attacks a group of criminals, the police department investigates the case and hunts the women without knowing the risks that they are taking. Meanwhile the lonely Tom and the Lena fall in love with each other; but the unrequited love of Louise for Lena jeopardizes the couple.
Emotional fingerprint
We Are the Night (2010) — Movie. Top emotional signals: Excitement 30%, Love 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Love25%
- Anxiety20%
- Melancholy15%
- Awe10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Love, Anxiety. Genres: Drama, Fantasy, Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Love and Anxiety. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Sadness
- Fear
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Sadness | Fear |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 53 % | 47 % | 22 % | 28 % |
| 7.5 % | ≈ 8′ | Tension | 50 % | 45 % | 10 % | 19 % |
| 12.5 % | ≈ 13′ | Humor | 48 % | 40 % | 3 % | 15 % |
| 17.5 % | ≈ 18′ | Tension | 51 % | 43 % | 5 % | 26 % |
| 22.5 % | ≈ 23′ | Tension | 61 % | 55 % | 11 % | 44 % |
| 27.5 % | ≈ 28′ | Tension | 68 % | 55 % | 25 % | 46 % |
| 32.5 % | ≈ 33′ | Sadness | 63 % | 34 % | 30 % | 26 % |
| 37.5 % | ≈ 38′ | Humor | 55 % | 23 % | 15 % | 14 % |
| 42.5 % | ≈ 43′ | Humor | 51 % | 29 % | 15 % | 18 % |
| 47.5 % | ≈ 48′ | Sadness | 53 % | 27 % | 26 % | 15 % |
| 52.5 % | ≈ 53′ | Love | 57 % | 28 % | 30 % | 16 % |
| 57.5 % | ≈ 58′ | Sadness | 65 % | 48 % | 36 % | 38 % |
| 62.5 % | ≈ 63′ | Tension | 76 % | 71 % | 39 % | 61 % |
| 67.5 % | ≈ 68′ | Tension | 83 % | 80 % | 45 % | 66 % |
| 72.5 % | ≈ 73′ | Tension | 84 % | 74 % | 63 % | 54 % |
| 77.5 % | ≈ 78′ | Sadness | 83 % | 65 % | 63 % | 44 % |
| 82.5 % | ≈ 83′ | Tension | 80 % | 70 % | 48 % | 51 % |
| 87.5 % | ≈ 88′ | Tension | 71 % | 66 % | 43 % | 50 % |
| 92.5 % | ≈ 93′ | Sadness | 53 % | 43 % | 35 % | 28 % |
| 97.5 % | ≈ 98′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about We Are the Night. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Lummer
Spusi Frau
Russenschläger 1
Russenschläger 2
Wasja
Wachmann 2
Hotelpage
Restaurantgast
Charlottes Tochter
Details
- Directed by
- Dennis Gansel
- Written by
- Jan Berger, Dennis Gansel
- Type
- Movies
- Released
- 2010
- Runtime
- 100 min
- Country
- Germany
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Subscription
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
