feeldb

Beyond Outrage

2012 · 112 min · Director: Takeshi Kitano ★ IMDb 6.7 · 7,873 ratings

Show plot summary (may contain spoilers)

As the police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West.

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Emotional fingerprint

Beyond Outrage (2012) — Movie. Top emotional signals: Tension 35%, Anger 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

25%Anger
20%Fear
  1. Anger25%
  2. Fear20%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Tension, Anger, Fear. Genres: Drama, Crime, Action. AI estimate.

Is it worth watching?

Consider this title if you are looking for Tension, Anger and Fear. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Curiosity
  • Disturbing

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Tension

Dominant emotion: Humor

Tension
Curiosity
Disturbing
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then dips around 18 %, then peaks around 57 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionCuriosityDisturbing
2.5 %≈ 3′Curiosity49 %40 %51 %23 %
7.5 %≈ 8′Curiosity51 %43 %47 %28 %
12.5 %≈ 14′Tension50 %45 %43 %28 %
17.5 %≈ 20′Curiosity48 %45 %44 %20 %
22.5 %≈ 25′Tension52 %50 %46 %22 %
27.5 %≈ 31′Tension57 %49 %44 %25 %
32.5 %≈ 36′Humor54 %38 %36 %17 %
37.5 %≈ 42′Tension51 %42 %39 %19 %
42.5 %≈ 48′Curiosity56 %54 %48 %26 %
47.5 %≈ 53′Tension64 %63 %43 %35 %
52.5 %≈ 59′Tension72 %71 %35 %48 %
57.5 %≈ 64′Tension77 %76 %40 %57 %
62.5 %≈ 70′Tension73 %72 %52 %55 %
67.5 %≈ 76′Curiosity71 %69 %54 %52 %
72.5 %≈ 81′Tension70 %69 %43 %51 %
77.5 %≈ 87′Tension61 %60 %42 %38 %
82.5 %≈ 92′Curiosity54 %54 %48 %31 %
87.5 %≈ 98′Tension59 %59 %49 %38 %
92.5 %≈ 104′Tension66 %66 %50 %41 %
97.5 %≈ 109′Tension68 %69 %49 %36 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

TN
Toshiyuki Nishida

Ryô Kase

Ishihara

TN
Toshiyuki Nishida

Nishino

Shun Sugata

Okamoto

Ken Mitsuishi

Eijiro Gomi

Yutaka Matsushige

Detective Shigeta

MO
Machiko Ono

Tatto Girl

H
Hakuryu

Lee

SS
Sansei Shiomi

Nakata

AN
Akira Nakao

Tomita

HN
Hideo Nakano

Kimura

KT
Katsunori Takahashi

Jo

TT
Tetsushi Tanaka

Masashi Funaki

IS
Ippei Sasaki

Hoodlum

TN
Tatsuo Nadaka

Shiroyama

Details

Directed by
Takeshi Kitano
Written by
Takeshi Kitano
Type
Movies
Released
2012
Runtime
112 min
Country
Japan
Ratings
★ IMDb 6.7 · 7,873 ratings
Feels mostly
Tension
Data updated

Where to watch

Also on

Availability varies by country

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.