feeldb

The Wall

2012 · 104 min · Director: Julian Pölsler ★ IMDb 6.7 · 8,065 ratings

Show plot summary (may contain spoilers)

A woman inexplicably finds herself cut off from all human contact when an invisible, unyielding wall suddenly surrounds the countryside. Accompanied by her loyal dog Lynx, she becomes immersed in a world untouched by civilization and ruled by the laws of nature.

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Emotional fingerprint

The Wall (2012) — Movie. Top emotional signals: Anxiety 30%, Sadness 25%, Curiosity 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Fear15%
  2. Awe10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Anxiety, Sadness, Curiosity. Genres: Drama, Mystery, Sci-Fi. AI estimate.

Is it worth watching?

Consider this title if you are looking for Anxiety, Sadness and Curiosity. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Sadness
  • Empathy
  • Love

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Anxiety

Dominant emotion: Tension

Dominant emotion: Sadness

Dominant emotion: Love

Dominant emotion: Empathy

Sadness
Empathy
Love
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 8 %, then rises around 88 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensitySadnessEmpathyLove
2.5 %≈ 3′Anxiety44 %23 %31 %3 %
7.5 %≈ 8′Anxiety44 %12 %24 %7 %
12.5 %≈ 13′Tension59 %14 %29 %9 %
17.5 %≈ 18′Anxiety70 %33 %44 %11 %
22.5 %≈ 23′Sadness70 %53 %55 %18 %
27.5 %≈ 29′Sadness72 %65 %58 %21 %
32.5 %≈ 34′Sadness73 %66 %63 %24 %
37.5 %≈ 39′Love63 %53 %57 %32 %
42.5 %≈ 44′Sadness55 %44 %49 %31 %
47.5 %≈ 49′Empathy62 %53 %57 %33 %
52.5 %≈ 55′Sadness73 %68 %67 %42 %
57.5 %≈ 60′Sadness76 %73 %68 %49 %
62.5 %≈ 65′Sadness74 %68 %64 %42 %
67.5 %≈ 70′Empathy70 %61 %62 %36 %
72.5 %≈ 75′Sadness64 %55 %55 %33 %
77.5 %≈ 81′Sadness58 %43 %50 %32 %
82.5 %≈ 86′Love62 %40 %54 %49 %
87.5 %≈ 91′Love74 %56 %64 %61 %
92.5 %≈ 96′Sadness86 %78 %75 %53 %
97.5 %≈ 101′Sadness87 %85 %79 %42 %
Oedipus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

Lv
Luchs von Kyffhäuserbach

UB
Ulrike Beimpold

Luise

KH
Karlheinz Hackl

KH
Karlheinz Hackl

Hugo

WM
Wolfgang Maria Bauer

Mann

JG
Julia Gschnitzer

Keuschlerin

HR
Hans-Michael Rehberg

Keuschler

Details

Directed by
Julian Pölsler
Written by
Julian Pölsler, Marlen Haushofer
Type
Movies
Released
2012
Runtime
104 min
Country
Austria, Germany
Ratings
★ IMDb 6.7 · 8,065 ratings
Feels mostly
Anxiety
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.