Come as You Are
2011 · 115 min · Director: Geoffrey Enthoven
Show plot summary (may contain spoilers)
Three guys in their twenties love wine and women but they are still virgins. Under the guise of a wine tour they embark on a journey to Spain hoping to have their first sexual experience. Jozef is blind, Philip is paralyzed from the neck down and Lars is in a wheelchair with a brain tumor, but they're not going to let anything stand in their way...
Emotional fingerprint
Come as You Are (2011) — Movie. Top emotional signals: Humor 30%, Empathy 25%, Joy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Empathy25%
- Joy20%
- Excitement15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Joy. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Joy. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Empathy
- Hope
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Hope
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Hope | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 35 % | 22 % | 25 % | 5 % |
| 7.5 % | ≈ 9′ | Hope | 45 % | 30 % | 36 % | 16 % |
| 12.5 % | ≈ 14′ | Sadness | 56 % | 45 % | 46 % | 36 % |
| 17.5 % | ≈ 20′ | Hope | 60 % | 55 % | 49 % | 46 % |
| 22.5 % | ≈ 26′ | Sadness | 56 % | 50 % | 41 % | 41 % |
| 27.5 % | ≈ 32′ | Humor | 48 % | 34 % | 32 % | 24 % |
| 32.5 % | ≈ 37′ | Humor | 41 % | 24 % | 28 % | 10 % |
| 37.5 % | ≈ 43′ | Humor | 44 % | 25 % | 20 % | 9 % |
| 42.5 % | ≈ 49′ | Humor | 54 % | 38 % | 15 % | 15 % |
| 47.5 % | ≈ 55′ | Empathy | 63 % | 55 % | 26 % | 20 % |
| 52.5 % | ≈ 60′ | Empathy | 63 % | 57 % | 35 % | 16 % |
| 57.5 % | ≈ 66′ | Humor | 60 % | 48 % | 23 % | 16 % |
| 62.5 % | ≈ 72′ | Tension | 61 % | 43 % | 23 % | 23 % |
| 67.5 % | ≈ 78′ | Hope | 58 % | 40 % | 39 % | 23 % |
| 72.5 % | ≈ 83′ | Hope | 55 % | 44 % | 35 % | 30 % |
| 77.5 % | ≈ 89′ | Sadness | 61 % | 53 % | 31 % | 38 % |
| 82.5 % | ≈ 95′ | Hope | 64 % | 54 % | 46 % | 25 % |
| 87.5 % | ≈ 101′ | Empathy | 68 % | 60 % | 45 % | 31 % |
| 92.5 % | ≈ 106′ | Sadness | 75 % | 70 % | 30 % | 57 % |
| 97.5 % | ≈ 112′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Come as You Are. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Lars
Geert - Philip's Dad
An - Philip's Mom
Sommelière
Roger
Jozef's Mother
Lisbet - Lars' Mom
Goth Woman
Theo
Details
- Directed by
- Geoffrey Enthoven
- Written by
- Pierre De Clercq, Asta Philpot, Mariano Vanhoof
- Type
- Movies
- Released
- 2011
- Runtime
- 115 min
- Country
- Belgium
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
