One Day More
2011 · 111 min · Director: Massimo Venier
Show plot summary (may contain spoilers)
Giaccomo and Dante are the two forty-year-olds and they both work at the same company in Milan. Giaccomo is the only single guy at the office and he tries to avoid working on weekends by lying he has a girlfriend whose character he creates based upon a girl he sees every morning at a tram.
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Emotional fingerprint
One Day More (2011) — Movie. Top emotional signals: Humor 30%, Love 25%, Smile 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Love25%
- Smile20%
- Curiosity15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Smile. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Smile. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Love
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Love | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 45 % | 43 % | 3 % | 0 % |
| 7.5 % | ≈ 8′ | Humor | 51 % | 50 % | 4 % | 0 % |
| 12.5 % | ≈ 14′ | Humor | 52 % | 50 % | 6 % | 2 % |
| 17.5 % | ≈ 19′ | Humor | 45 % | 44 % | 10 % | 6 % |
| 22.5 % | ≈ 25′ | Humor | 47 % | 47 % | 10 % | 7 % |
| 27.5 % | ≈ 31′ | Humor | 54 % | 53 % | 16 % | 15 % |
| 32.5 % | ≈ 36′ | Humor | 54 % | 48 % | 30 % | 26 % |
| 37.5 % | ≈ 42′ | Love | 52 % | 39 % | 31 % | 25 % |
| 42.5 % | ≈ 47′ | Sadness | 51 % | 40 % | 18 % | 21 % |
| 47.5 % | ≈ 53′ | Humor | 54 % | 49 % | 15 % | 25 % |
| 52.5 % | ≈ 58′ | Humor | 54 % | 52 % | 24 % | 31 % |
| 57.5 % | ≈ 64′ | Humor | 55 % | 49 % | 34 % | 35 % |
| 62.5 % | ≈ 69′ | Love | 60 % | 49 % | 48 % | 41 % |
| 67.5 % | ≈ 75′ | Humor | 62 % | 52 % | 50 % | 35 % |
| 72.5 % | ≈ 80′ | Humor | 57 % | 40 % | 32 % | 18 % |
| 77.5 % | ≈ 86′ | Sadness | 56 % | 23 % | 20 % | 11 % |
| 82.5 % | ≈ 92′ | Sadness | 61 % | 26 % | 23 % | 24 % |
| 87.5 % | ≈ 97′ | Hope | 56 % | 33 % | 27 % | 40 % |
| 92.5 % | ≈ 103′ | Hope | 51 % | 32 % | 28 % | 43 % |
| 97.5 % | ≈ 108′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Alice
Fausto
Tom
Chantal Ricardi
Monica
Moglie di Ricardi
Meg
Donnie
Poluzzi
Vitantonio
Details
- Directed by
- Massimo Venier
- Written by
- Massimo Venier, Fabio Volo, Michele Pellegrini, Federica Pontremoli
- Type
- Movies
- Released
- 2011
- Runtime
- 111 min
- Country
- Italy
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





