Lady Gaga Presents: The Monster Ball Tour at Madison Square Garden
2011 · 117 min · Director: Laurieann Gibson, Laurieann Gibson
Show plot summary (may contain spoilers)
Local girl makes good. In February, 2011, Lady Gaga (1986- ) brings a band and dancers to Madison Square Garden, about 20 blocks from where she grew up. She sings, plays keyboards, dances, and talks - sometimes autobiographically - emphasizing possibilities, personal acceptance, and tolerance on the way to the Monster Ball, the greatest party in the world. The cameras catch her up close, in ensemble, and beneath the stage changing between numbers. She calls her fans "freaks" and "little monsters," while songs urge them to show their paws and teeth. "Fame" and "Behind the Fame Monster" provide most of the songs. Behind the credits, she and three others sing "Born This Way" a cappella.
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Emotional fingerprint
Lady Gaga Presents: The Monster Ball Tour at Madison Square Garden (2011) — Movie. Top emotional signals: Excitement 40%, Humor 25%, Awe 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement40%
- Humor25%
- Awe20%
- Joy15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Humor, Awe. Genres: Documentary, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Humor and Awe. Its IMDb rating of 8.4/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 75/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Joy
- Excitement
- Inspiration
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Excitement
Dominant emotion: Inspiration
Dominant emotion: Sadness
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Excitement | Inspiration |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Excitement | 57 % | 43 % | 53 % | 25 % |
| 7.5 % | ≈ 9′ | Excitement | 59 % | 43 % | 57 % | 18 % |
| 12.5 % | ≈ 15′ | Excitement | 57 % | 41 % | 56 % | 23 % |
| 17.5 % | ≈ 20′ | Excitement | 56 % | 41 % | 54 % | 34 % |
| 22.5 % | ≈ 26′ | Excitement | 64 % | 49 % | 57 % | 48 % |
| 27.5 % | ≈ 32′ | Inspiration | 68 % | 54 % | 56 % | 57 % |
| 32.5 % | ≈ 38′ | Excitement | 61 % | 50 % | 54 % | 44 % |
| 37.5 % | ≈ 44′ | Excitement | 57 % | 40 % | 46 % | 26 % |
| 42.5 % | ≈ 50′ | Sadness | 55 % | 28 % | 31 % | 20 % |
| 47.5 % | ≈ 56′ | Sadness | 53 % | 31 % | 31 % | 16 % |
| 52.5 % | ≈ 61′ | Joy | 55 % | 48 % | 43 % | 15 % |
| 57.5 % | ≈ 67′ | Joy | 59 % | 49 % | 50 % | 24 % |
| 62.5 % | ≈ 73′ | Inspiration | 59 % | 36 % | 51 % | 35 % |
| 67.5 % | ≈ 79′ | Excitement | 54 % | 31 % | 46 % | 28 % |
| 72.5 % | ≈ 85′ | Excitement | 51 % | 32 % | 44 % | 14 % |
| 77.5 % | ≈ 91′ | Excitement | 60 % | 39 % | 51 % | 24 % |
| 82.5 % | ≈ 97′ | Inspiration | 73 % | 55 % | 64 % | 50 % |
| 87.5 % | ≈ 102′ | Excitement | 80 % | 69 % | 71 % | 66 % |
| 92.5 % | ≈ 108′ | Inspiration | 81 % | 69 % | 59 % | 76 % |
| 97.5 % | ≈ 114′ | Inspiration | 78 % | 63 % | 38 % | 82 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Dancer
Dancer
Dancer
Dancer
Dancer
Dancer
Dancer
Dancer
Dancer
Dancer
Self (uncredited)
Self (uncredited)
Details
- Directed by
- Laurieann Gibson, Laurieann Gibson
- Type
- Movies
- Released
- 2011
- Runtime
- 117 min
- Country
- United States
- Genres
- Documentary, Music
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





