A Little Thing Called Love
2010 · 118 min · Director: Puttipong Pormsaka Na-Sakonnakorn, Wasin Pokpong, Puttipong Promsaka Na Sakolnakorn
Show plot summary (may contain spoilers)
Life of a 14 year old girl Nam, who falls in love with her senior of tenth grade P'Shone and tries desperately to win his attention.
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Emotional fingerprint
A Little Thing Called Love (2010) — Movie. Top emotional signals: Love 35%, Melancholy 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love35%
- Melancholy25%
- Empathy20%
- Sadness10%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Melancholy, Empathy. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Melancholy and Empathy. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Anticipation
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Hope
Dominant emotion: Love
Dominant emotion: Anticipation
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Anticipation | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 35 % | 23 % | 18 % | 8 % |
| 7.5 % | ≈ 9′ | Humor | 39 % | 24 % | 21 % | 16 % |
| 12.5 % | ≈ 15′ | Hope | 40 % | 25 % | 25 % | 28 % |
| 17.5 % | ≈ 21′ | Love | 44 % | 31 % | 29 % | 31 % |
| 22.5 % | ≈ 27′ | Humor | 50 % | 35 % | 30 % | 30 % |
| 27.5 % | ≈ 32′ | Humor | 50 % | 36 % | 31 % | 30 % |
| 32.5 % | ≈ 38′ | Love | 46 % | 33 % | 31 % | 25 % |
| 37.5 % | ≈ 44′ | Humor | 48 % | 26 % | 31 % | 19 % |
| 42.5 % | ≈ 50′ | Humor | 49 % | 28 % | 35 % | 20 % |
| 47.5 % | ≈ 56′ | Anticipation | 48 % | 27 % | 40 % | 28 % |
| 52.5 % | ≈ 62′ | Anticipation | 49 % | 28 % | 45 % | 35 % |
| 57.5 % | ≈ 68′ | Anticipation | 51 % | 36 % | 49 % | 34 % |
| 62.5 % | ≈ 74′ | Anticipation | 55 % | 45 % | 45 % | 26 % |
| 67.5 % | ≈ 80′ | Love | 59 % | 49 % | 39 % | 25 % |
| 72.5 % | ≈ 86′ | Love | 60 % | 44 % | 39 % | 36 % |
| 77.5 % | ≈ 91′ | Hope | 66 % | 43 % | 46 % | 44 % |
| 82.5 % | ≈ 97′ | Sadness | 79 % | 61 % | 54 % | 39 % |
| 87.5 % | ≈ 103′ | Love | 81 % | 70 % | 54 % | 41 % |
| 92.5 % | ≈ 109′ | Anticipation | 79 % | 66 % | 59 % | 56 % |
| 97.5 % | ≈ 115′ | Love | 83 % | 73 % | 65 % | 68 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
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Cast
Inn
Aorn
Phol
Top
Cheer
Ki
Nim
Pin
Ek
Nam's Mother
Nam's Father
Shone's Father
Shone's Mother
Uncle Chang
TV Host
Ah Pae
Cheer's Mother
Principal
Details
- Directed by
- Puttipong Pormsaka Na-Sakonnakorn, Wasin Pokpong, Puttipong Promsaka Na Sakolnakorn
- Written by
- Puttipong Pormsaka Na-Sakonnakorn, Wasin Pokpong, Puttipong Promsaka Na Sakolnakorn, Voraluk Klasukon, Samut Nuamsetti
- Type
- Movies
- Released
- 2010
- Runtime
- 118 min
- Country
- Thailand
- Ratings
- Feels mostly
- Love
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





