Escort in Love
2011 · 95 min · Director: Massimiliano Bruno
Show plot summary (may contain spoilers)
Alice lives in a beautiful villa. She has a husband who makes a lot of money, a nine-year-old son, and three servants who happen to be immigrants. She is superficial, haughty, and racist. But everything changes the day her husband gets killed in an accident and the young widow finds herself debt-ridden. Forced to leave their magnificent house, she goes to live in a small apartment in a working-class neighborhood. To repay her debts she must also find work. When she gets to know Eva, a call girl who works in the town's West End, she follows her example. In parallel, during her free time, Alice meets a certain number of good people in her new area--and she feels closer and closer to one of them: Giulio.
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Emotional fingerprint
Escort in Love (2011) — Movie. Top emotional signals: Humor 30%, Empathy 25%, Satisfaction 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Empathy25%
- Satisfaction20%
- Hope15%
- Surprise10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Satisfaction. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Satisfaction. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 44 % | 32 % | 21 % | 13 % |
| 7.5 % | ≈ 7′ | Sadness | 46 % | 29 % | 29 % | 23 % |
| 12.5 % | ≈ 12′ | Humor | 44 % | 33 % | 31 % | 20 % |
| 17.5 % | ≈ 17′ | Humor | 45 % | 40 % | 30 % | 16 % |
| 22.5 % | ≈ 21′ | Humor | 48 % | 45 % | 30 % | 19 % |
| 27.5 % | ≈ 26′ | Humor | 53 % | 52 % | 26 % | 16 % |
| 32.5 % | ≈ 31′ | Humor | 56 % | 56 % | 22 % | 11 % |
| 37.5 % | ≈ 36′ | Humor | 55 % | 51 % | 26 % | 14 % |
| 42.5 % | ≈ 40′ | Tension | 50 % | 42 % | 35 % | 19 % |
| 47.5 % | ≈ 45′ | Humor | 51 % | 45 % | 35 % | 15 % |
| 52.5 % | ≈ 50′ | Humor | 53 % | 51 % | 29 % | 12 % |
| 57.5 % | ≈ 55′ | Humor | 50 % | 44 % | 33 % | 17 % |
| 62.5 % | ≈ 59′ | Empathy | 50 % | 41 % | 39 % | 23 % |
| 67.5 % | ≈ 64′ | Humor | 54 % | 37 % | 42 % | 28 % |
| 72.5 % | ≈ 69′ | Sadness | 58 % | 29 % | 48 % | 32 % |
| 77.5 % | ≈ 74′ | Love | 63 % | 29 % | 52 % | 28 % |
| 82.5 % | ≈ 78′ | Tension | 69 % | 26 % | 59 % | 41 % |
| 87.5 % | ≈ 83′ | Sadness | 69 % | 25 % | 61 % | 49 % |
| 92.5 % | ≈ 88′ | Love | 56 % | 34 % | 45 % | 26 % |
| 97.5 % | ≈ 93′ | Humor | 46 % | 39 % | 27 % | 7 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Details
- Directed by
- Massimiliano Bruno
- Written by
- Fausto Brizzi, Massimiliano Bruno, Edoardo Maria Falcone, Edoardo Falcone
- Type
- Movies
- Released
- 2011
- Runtime
- 95 min
- Country
- Italy
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





