Kodachrome
2017 · 105 min · Director: Mark Raso
Show plot summary (may contain spoilers)
The film is based on A.G. Sulzberger's 2010 New York Times article "For Kodachrome Fans, Road Ends at Photo Lab in Kansas" about a father and son who take a road trip to Kansas in order to develop photographs at Kodak's last Kodachrome lab before it closes its doors forever.
Emotional fingerprint
Kodachrome (2017) — Movie. Top emotional signals: Empathy 30%, Sadness 25%, Nostalgia 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Nostalgia. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Nostalgia. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 40 % | 13 % | 15 % | 8 % |
| 7.5 % | ≈ 8′ | Sadness | 49 % | 31 % | 29 % | 8 % |
| 12.5 % | ≈ 13′ | Tension | 57 % | 43 % | 38 % | 8 % |
| 17.5 % | ≈ 18′ | Tension | 59 % | 39 % | 36 % | 8 % |
| 22.5 % | ≈ 24′ | Tension | 55 % | 35 % | 36 % | 15 % |
| 27.5 % | ≈ 29′ | Sadness | 51 % | 30 % | 34 % | 26 % |
| 32.5 % | ≈ 34′ | Humor | 50 % | 21 % | 30 % | 31 % |
| 37.5 % | ≈ 39′ | Love | 54 % | 25 % | 35 % | 28 % |
| 42.5 % | ≈ 45′ | Tension | 60 % | 39 % | 40 % | 15 % |
| 47.5 % | ≈ 50′ | Sadness | 56 % | 39 % | 38 % | 10 % |
| 52.5 % | ≈ 55′ | Tension | 51 % | 28 % | 36 % | 11 % |
| 57.5 % | ≈ 60′ | Tension | 55 % | 25 % | 39 % | 13 % |
| 62.5 % | ≈ 66′ | Humor | 61 % | 38 % | 45 % | 18 % |
| 67.5 % | ≈ 71′ | Sadness | 73 % | 60 % | 61 % | 30 % |
| 72.5 % | ≈ 76′ | Sadness | 80 % | 70 % | 74 % | 55 % |
| 77.5 % | ≈ 81′ | Love | 75 % | 60 % | 69 % | 61 % |
| 82.5 % | ≈ 87′ | Empathy | 70 % | 57 % | 64 % | 45 % |
| 87.5 % | ≈ 92′ | Sadness | 69 % | 61 % | 64 % | 43 % |
| 92.5 % | ≈ 97′ | Love | 56 % | 48 % | 48 % | 41 % |
| 97.5 % | ≈ 102′ | Sadness | 42 % | 33 % | 27 % | 30 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Zeke
Guard
Clark
Kim
Little Boy
Bandmate
Trucker
Trucker's Wife
Details
- Directed by
- Mark Raso
- Written by
- Jonathan Tropper
- Type
- Movies
- Released
- 2017
- Runtime
- 105 min
- Country
- Canada, United States
- Genres
- Drama
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
