A.C.A.B. - All Cops Are Bastards
2012 · 105 min · Director: Stefano Sollima
Show plot summary (may contain spoilers)
A look at the controversial riot cops unit, told through the stories of three veteran cops and a young recruit.
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Emotional fingerprint
A.C.A.B. - All Cops Are Bastards (2012) — Movie. Top emotional signals: Anger 35%, Tension 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anger, Tension, Anxiety. Genres: Drama, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anger, Tension and Anxiety. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Sadness
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 55 % | 53 % | 35 % | 20 % |
| 7.5 % | ≈ 8′ | Tension | 54 % | 48 % | 34 % | 31 % |
| 12.5 % | ≈ 13′ | Sympathy | 54 % | 43 % | 31 % | 46 % |
| 17.5 % | ≈ 18′ | Sympathy | 55 % | 46 % | 40 % | 46 % |
| 22.5 % | ≈ 24′ | Tension | 51 % | 49 % | 41 % | 33 % |
| 27.5 % | ≈ 29′ | Tension | 52 % | 51 % | 39 % | 31 % |
| 32.5 % | ≈ 34′ | Tension | 59 % | 50 % | 40 % | 43 % |
| 37.5 % | ≈ 39′ | Sadness | 60 % | 41 % | 36 % | 51 % |
| 42.5 % | ≈ 45′ | Sympathy | 63 % | 44 % | 45 % | 56 % |
| 47.5 % | ≈ 50′ | Disturbing | 60 % | 48 % | 53 % | 49 % |
| 52.5 % | ≈ 55′ | Disturbing | 56 % | 48 % | 51 % | 39 % |
| 57.5 % | ≈ 60′ | Disturbing | 61 % | 56 % | 54 % | 43 % |
| 62.5 % | ≈ 66′ | Tension | 65 % | 63 % | 54 % | 45 % |
| 67.5 % | ≈ 71′ | Tension | 65 % | 55 % | 46 % | 44 % |
| 72.5 % | ≈ 76′ | Sadness | 65 % | 49 % | 36 % | 45 % |
| 77.5 % | ≈ 81′ | Tension | 69 % | 59 % | 45 % | 40 % |
| 82.5 % | ≈ 87′ | Disturbing | 75 % | 68 % | 65 % | 37 % |
| 87.5 % | ≈ 92′ | Disturbing | 77 % | 70 % | 69 % | 43 % |
| 92.5 % | ≈ 97′ | Tension | 78 % | 75 % | 63 % | 45 % |
| 97.5 % | ≈ 102′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Maria
Giancarlo
Miriam
Uomo Sfrattato
Maresciallo Reparto Mobile
Franca
Mustafà
Giudice Separazione Negro
Poliziotto Casa Mazinga
Poliziotto Narcotici
Tifoso Napoletano
Nigeriana CPT
Nigeriana CPT
Details
- Directed by
- Stefano Sollima
- Written by
- Carlo Bonini, Daniele Cesarano, Barbara Petronio, Leonardo Valenti
- Type
- Movies
- Released
- 2012
- Runtime
- 105 min
- Country
- Italy, France
- Ratings
- Feels mostly
- Anger
- Data updated
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