Himizu
2011 · 130 min · Director: Sion Sono
Show plot summary (may contain spoilers)
Two fourteen-year-olds come together sharing misery and pain. Ignored and disliked by their respective parents and coming from troubled homes where they are ignored at best and invited to commit suicide at worst. In the aftermath of an earthquake the class-mates learn how to survive while relying on one another for emotional and physical support.
Emotional fingerprint
Himizu (2011) — Movie. Top emotional signals: Sadness 35%, Empathy 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Empathy25%
- Anxiety20%
- Satisfaction10%
- Disturbing10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Empathy, Anxiety. Genres: Drama, Mystery, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Empathy and Anxiety. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion: Disturbing
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 38 % | 27 % | 32 % | 18 % |
| 7.5 % | ≈ 10′ | Hope | 48 % | 39 % | 38 % | 31 % |
| 12.5 % | ≈ 16′ | Disturbing | 59 % | 51 % | 44 % | 45 % |
| 17.5 % | ≈ 23′ | Hope | 55 % | 49 % | 39 % | 36 % |
| 22.5 % | ≈ 29′ | Sadness | 54 % | 50 % | 40 % | 31 % |
| 27.5 % | ≈ 36′ | Empathy | 65 % | 60 % | 49 % | 46 % |
| 32.5 % | ≈ 42′ | Disturbing | 79 % | 61 % | 50 % | 68 % |
| 37.5 % | ≈ 49′ | Tension | 81 % | 46 % | 38 % | 73 % |
| 42.5 % | ≈ 55′ | Tension | 79 % | 41 % | 36 % | 70 % |
| 47.5 % | ≈ 62′ | Disturbing | 85 % | 60 % | 60 % | 79 % |
| 52.5 % | ≈ 68′ | Sadness | 85 % | 66 % | 68 % | 80 % |
| 57.5 % | ≈ 75′ | Disturbing | 74 % | 56 % | 50 % | 61 % |
| 62.5 % | ≈ 81′ | Empathy | 66 % | 55 % | 44 % | 42 % |
| 67.5 % | ≈ 88′ | Sadness | 63 % | 53 % | 44 % | 41 % |
| 72.5 % | ≈ 94′ | Tension | 65 % | 55 % | 45 % | 49 % |
| 77.5 % | ≈ 101′ | Empathy | 76 % | 70 % | 57 % | 55 % |
| 82.5 % | ≈ 107′ | Tension | 85 % | 79 % | 66 % | 54 % |
| 87.5 % | ≈ 114′ | Empathy | 88 % | 83 % | 68 % | 36 % |
| 92.5 % | ≈ 120′ | Hope | 89 % | 86 % | 65 % | 15 % |
| 97.5 % | ≈ 127′ | Hope | 92 % | 88 % | 63 % | 8 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Himizu. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Kenkichi
Busker
Tetsu
Details
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