Now Is Good
2012 · 103 min · Director: Ol Parker
Show plot summary (may contain spoilers)
Tessa is seventeen and passionate about life. Diagnosed with a terminal illness, she determines to use every moment, compiling a catalogue of what a normal teenager would experience, including losing her virginity and taking drugs, With the help of her best friend, Zoey, she sets the list into motion. And while her parents and brother each deals with their fear of losing her in their own way, Tessa explores a whole new world, determined to live every day as intensely as possible. Falling in love with her new neighbor, Adam, wasn't on the list, but this proves to be the most exhilarating experience of them all.
Emotional fingerprint
Now Is Good (2012) — Movie. Top emotional signals: Sadness 35%, Love 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Love25%
- Empathy20%
- Anticipation10%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Love, Empathy. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Love and Empathy. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 45 % | 27 % | 17 % | 25 % |
| 7.5 % | ≈ 8′ | Sadness | 49 % | 36 % | 21 % | 26 % |
| 12.5 % | ≈ 13′ | Humor | 44 % | 26 % | 20 % | 24 % |
| 17.5 % | ≈ 18′ | Hope | 43 % | 16 % | 16 % | 28 % |
| 22.5 % | ≈ 23′ | Humor | 46 % | 21 % | 19 % | 38 % |
| 27.5 % | ≈ 28′ | Tension | 50 % | 31 % | 31 % | 38 % |
| 32.5 % | ≈ 33′ | Love | 49 % | 33 % | 36 % | 25 % |
| 37.5 % | ≈ 39′ | Humor | 46 % | 25 % | 25 % | 26 % |
| 42.5 % | ≈ 44′ | Tension | 51 % | 30 % | 24 % | 38 % |
| 47.5 % | ≈ 49′ | Love | 60 % | 46 % | 41 % | 41 % |
| 52.5 % | ≈ 54′ | Sadness | 66 % | 54 % | 55 % | 45 % |
| 57.5 % | ≈ 59′ | Love | 68 % | 46 % | 51 % | 53 % |
| 62.5 % | ≈ 64′ | Tension | 66 % | 39 % | 45 % | 53 % |
| 67.5 % | ≈ 70′ | Love | 65 % | 41 % | 54 % | 38 % |
| 72.5 % | ≈ 75′ | Love | 70 % | 54 % | 66 % | 34 % |
| 77.5 % | ≈ 80′ | Love | 79 % | 70 % | 68 % | 45 % |
| 82.5 % | ≈ 85′ | Sadness | 87 % | 83 % | 68 % | 50 % |
| 87.5 % | ≈ 90′ | Sadness | 91 % | 88 % | 76 % | 45 % |
| 92.5 % | ≈ 95′ | Sadness | 93 % | 90 % | 85 % | 34 % |
| 97.5 % | ≈ 100′ | Sadness | 95 % | 93 % | 88 % | 25 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Cal Scott
Sally
Paul
Details
Where to watch
Rent
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