feeldb

The Red and the Blue

2012 · 98 min · Director: Giuseppe Piccioni ★ IMDb 6.4 · 744 ratings

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The story of a teacher and his students, set in an Italian high school.

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Emotional fingerprint

The Red and the Blue (2012) — Movie. Top emotional signals: Empathy 35%, Humor 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

25%Humor
  1. Humor25%
  2. Hope10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Empathy, Humor, Anxiety. Genres: Drama. AI estimate.

Is it worth watching?

Consider this title if you are looking for Empathy, Humor and Anxiety. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Empathy
  • Sadness
  • Hope

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Empathy

Dominant emotion: Sadness

Dominant emotion: Tension

Dominant emotion: Hope

Empathy
Sadness
Hope
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 8 %, then peaks around 33 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityEmpathySadnessHope
2.5 %≈ 2′Humor36 %19 %14 %12 %
7.5 %≈ 7′Humor35 %18 %12 %9 %
12.5 %≈ 12′Humor37 %21 %13 %9 %
17.5 %≈ 17′Empathy40 %27 %22 %10 %
22.5 %≈ 22′Humor43 %32 %29 %11 %
27.5 %≈ 27′Empathy52 %45 %36 %16 %
32.5 %≈ 32′Sadness59 %55 %45 %20 %
37.5 %≈ 37′Empathy56 %52 %38 %21 %
42.5 %≈ 42′Tension52 %46 %30 %19 %
47.5 %≈ 47′Sadness52 %46 %34 %20 %
52.5 %≈ 51′Empathy50 %47 %35 %22 %
57.5 %≈ 56′Empathy52 %49 %35 %27 %
62.5 %≈ 61′Empathy54 %48 %35 %31 %
67.5 %≈ 66′Sadness52 %45 %34 %31 %
72.5 %≈ 71′Empathy54 %50 %36 %34 %
77.5 %≈ 76′Empathy55 %51 %36 %30 %
82.5 %≈ 81′Tension55 %49 %39 %22 %
87.5 %≈ 86′Sadness54 %48 %40 %24 %
92.5 %≈ 91′Hope47 %40 %31 %28 %
97.5 %≈ 96′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Oedipus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

Margherita Buy

Preside Giuliana

LM
Lucia Mascino

Elena Togani

DG
Davide Giordano

Enrico Brugnoli

NT
Nina Torresi

Melania

SD
Silvia D'Amico

Angela Mordini

EL
Elena Lietti

Emma Tassi

IP
Ionut Paun

Adam

GG
Gene Gnocchi

Compagno di Giuliana

AB
Alexandru Bindea

Padre di Adam

MT
Maria Teresa Di Gennaro

RB
Roberto Brunetti

Genitore permaloso

DC
Domiziana Cardinali

Silvana Petrucci

MC
Marco Casazza

Luigi Ferrari

Details

Directed by
Giuseppe Piccioni
Written by
Francesca Manieri, Giuseppe Piccioni, Marco Lodoli
Type
Movies
Released
2012
Runtime
98 min
Country
Italy
Genres
Drama
Ratings
★ IMDb 6.4 · 744 ratings
Feels mostly
Empathy
Data updated

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Emotion overlap shows mood similarity, not a prediction of enjoyment.