feeldb

Someone Marry Barry

2014 · 86 min · Director: Rob Pearlstein ★ IMDb 5.8 · 8,750 ratings

Show plot summary (may contain spoilers)

Three friends plot to get rid of their socially inappropriate friend by finding him a wife, but when he meets a woman just like him, their problems double.

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Emotional fingerprint

Someone Marry Barry (2014) — Movie. Top emotional signals: Humor 40%, Smile 25%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

40%Humor
25%Smile
  1. Humor40%
  2. Smile25%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Humor, Smile, Surprise. Genres: Comedy. AI estimate.

Is it worth watching?

Consider this title if you are looking for Humor, Smile and Surprise. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Humor
  • Disgust
  • Love

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Disgust

Dominant emotion: Tension

Dominant emotion: Sadness

Humor
Disgust
Love
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 63 %, then dips around 78 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityHumorDisgustLove
2.5 %≈ 2′Humor52 %50 %8 %5 %
7.5 %≈ 6′Humor58 %56 %14 %5 %
12.5 %≈ 11′Humor61 %59 %21 %8 %
17.5 %≈ 15′Humor60 %59 %24 %9 %
22.5 %≈ 19′Humor60 %60 %21 %5 %
27.5 %≈ 24′Humor61 %60 %28 %5 %
32.5 %≈ 28′Humor65 %64 %34 %16 %
37.5 %≈ 32′Humor65 %65 %24 %25 %
42.5 %≈ 37′Humor59 %60 %19 %19 %
47.5 %≈ 41′Humor58 %59 %26 %18 %
52.5 %≈ 45′Humor61 %61 %29 %25 %
57.5 %≈ 49′Humor66 %64 %39 %23 %
62.5 %≈ 54′Disgust70 %59 %46 %15 %
67.5 %≈ 58′Tension65 %43 %26 %13 %
72.5 %≈ 62′Sadness58 %35 %11 %11 %
77.5 %≈ 67′Humor54 %40 %14 %14 %
82.5 %≈ 71′Sadness55 %44 %11 %28 %
87.5 %≈ 75′Humor64 %54 %16 %46 %
92.5 %≈ 80′Humor69 %64 %29 %50 %
97.5 %≈ 84′Humor65 %63 %28 %40 %
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Kadri — your film companion

AI

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

HM
Hayes MacArthur

Lucy Punch

Melanie Miller

AL
Amanda Lund

Rachel

FS
Frankie Shaw

Camille

GG
Ginger Gonzaga

Juanita

JM
Jerry Minor

Taxi Driver

Brian Huskey

Minister Hagen

VB
Vivian Bang

Woman at Taxi Stand

LL
Liza Lapira

Single Mom at Wedding

KV
Karissa Vacker

Juliet

BJ
Brooke Josephson

Sarah

GC
Gabrielle Conforti

Angry Woman In Audience

Details

Directed by
Rob Pearlstein
Written by
Rob Pearlstein
Type
Movies
Released
2014
Runtime
86 min
Country
United States
Genres
Comedy
Ratings
★ IMDb 5.8 · 8,750 ratings
Feels mostly
Humor
Data updated

Where to watch

Data: JustWatch

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Emotion overlap shows mood similarity, not a prediction of enjoyment.