Thor: The Dark World
2013 · 112 min · Director: Alan Taylor
Show plot summary (may contain spoilers)
Thousands of years ago, a race of beings known as Dark Elves tried to send the universe into darkness by using a weapon known as the Aether. Warriors from Asgard stopped them, but their leader Malekith (Christopher Eccleston) escaped to wait for another opportunity. The warriors find the Aether, and since it cannot be destroyed, they try to hide it. In the present day, Jane Foster (Natalie Portman) awaits the return of Thor (Chris Hemsworth), although it has been two years since they last saw once another. In the meantime, Thor has been trying to bring peace to the nine realms. Jane discovers an anomaly similar to the one that brought Thor to Earth. She goes to investigate, finds a wormhole, and is sucked into it. Back on Asgard, Thor wishes to return to Earth, but his father, Odin (Sir Anthony Hopkins), refuses to let him. Thor learns from Heimdall (Idris Elba), who can see into all of the realms, that Jane disappeared. Thor then returns to Earth just as Jane reappears. However, when some Policemen try to arrest her, an unknown energy repulses them. Thor then brings Jane to Asgard to find out what happened to her. When the energy is released again, they discover that when Jane disappeared, she crossed paths with the Aether and it entered her. Malekith, upon sensing that the time to strike is now, seeks out the Aether. He attacks Asgard and Thor's mother Frigga (Rene Russo) is killed protecting Jane. Odin wants to keep Jane on Asgard so that Malekith will come. Thor disagrees with his plan, so with his cohorts, he decides to take Jane away. He enlists the aid of his brother, Loki (Tom Hiddleston). Unfortunately, Loki's motivations remain unknown.
Emotional fingerprint
Thor: The Dark World (2013) — Movie. Top emotional signals: Excitement 30%, Tension 20%, Sadness 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Sadness. Genres: Fantasy, Adventure, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Sadness. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Humor
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Humor | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 63 % | 60 % | 25 % | 32 % |
| 7.5 % | ≈ 8′ | Humor | 59 % | 44 % | 40 % | 26 % |
| 12.5 % | ≈ 14′ | Humor | 56 % | 28 % | 51 % | 39 % |
| 17.5 % | ≈ 20′ | Curiosity | 57 % | 31 % | 46 % | 55 % |
| 22.5 % | ≈ 25′ | Love | 56 % | 41 % | 34 % | 55 % |
| 27.5 % | ≈ 31′ | Curiosity | 59 % | 51 % | 26 % | 51 % |
| 32.5 % | ≈ 36′ | Tension | 66 % | 63 % | 26 % | 40 % |
| 37.5 % | ≈ 42′ | Tension | 75 % | 74 % | 21 % | 25 % |
| 42.5 % | ≈ 48′ | Tension | 75 % | 74 % | 13 % | 28 % |
| 47.5 % | ≈ 53′ | Curiosity | 65 % | 61 % | 23 % | 39 % |
| 52.5 % | ≈ 59′ | Tension | 65 % | 60 % | 48 % | 36 % |
| 57.5 % | ≈ 64′ | Humor | 68 % | 61 % | 57 % | 29 % |
| 62.5 % | ≈ 70′ | Sadness | 68 % | 61 % | 40 % | 33 % |
| 67.5 % | ≈ 76′ | Tension | 78 % | 70 % | 24 % | 38 % |
| 72.5 % | ≈ 81′ | Sadness | 81 % | 71 % | 31 % | 36 % |
| 77.5 % | ≈ 87′ | Tension | 78 % | 73 % | 44 % | 35 % |
| 82.5 % | ≈ 92′ | Tension | 79 % | 77 % | 43 % | 30 % |
| 87.5 % | ≈ 98′ | Tension | 73 % | 63 % | 28 % | 29 % |
| 92.5 % | ≈ 104′ | Love | 62 % | 40 % | 15 % | 37 % |
| 97.5 % | ≈ 109′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Thor: The Dark World. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
John
Navid
Maddie
Details
- Directed by
- Alan Taylor
- Written by
- Robert Rodat, Christopher Markus, Stephen McFeely, Don Payne, Christopher L. Yost, Christopher L. Yost
- Type
- Movies
- Released
- 2013
- Runtime
- 112 min
- Country
- United States
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
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