The Doctor, the Widow and the Wardrobe
2011 · 59 min · Director: Farren Blackburn
Show plot summary (may contain spoilers)
On Christmas Eve 1941, the Doctor poses as a caretaker to give recently widowed Madge Arwell and her two children an unforgettable Christmas but things quickly get out of hand when her son Cyril enters a snowy forest world full of...
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Emotional fingerprint
The Doctor, the Widow and the Wardrobe (2011) — Movie. Top emotional signals: Awe 25%, Sadness 20%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Awe, Sadness, Love. Genres: Drama, Adventure, Sci-Fi. AI estimate.
Is it worth watching?
Consider this title if you are looking for Awe, Sadness and Love. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Joy
- Sadness
- Awe
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Awe
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Sadness | Awe |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 1′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 7.5 % | ≈ 4′ | Humor | 59 % | 16 % | 22 % | 10 % |
| 12.5 % | ≈ 7′ | Sadness | 64 % | 19 % | 37 % | 13 % |
| 17.5 % | ≈ 10′ | Humor | 69 % | 31 % | 44 % | 23 % |
| 22.5 % | ≈ 13′ | Sadness | 67 % | 30 % | 42 % | 22 % |
| 27.5 % | ≈ 16′ | Humor | 53 % | 15 % | 19 % | 14 % |
| 32.5 % | ≈ 19′ | Tension | 48 % | 10 % | 0 % | 22 % |
| 37.5 % | ≈ 22′ | Awe | 51 % | 11 % | 1 % | 29 % |
| 42.5 % | ≈ 25′ | Tension | 50 % | 8 % | 3 % | 25 % |
| 47.5 % | ≈ 28′ | Humor | 53 % | 7 % | 5 % | 28 % |
| 52.5 % | ≈ 31′ | Humor | 63 % | 11 % | 11 % | 38 % |
| 57.5 % | ≈ 34′ | Awe | 70 % | 15 % | 15 % | 46 % |
| 62.5 % | ≈ 37′ | Tension | 72 % | 17 % | 16 % | 40 % |
| 67.5 % | ≈ 40′ | Tension | 76 % | 29 % | 11 % | 39 % |
| 72.5 % | ≈ 43′ | Awe | 80 % | 38 % | 25 % | 54 % |
| 77.5 % | ≈ 46′ | Sadness | 84 % | 25 % | 63 % | 49 % |
| 82.5 % | ≈ 49′ | Sadness | 88 % | 34 % | 78 % | 34 % |
| 87.5 % | ≈ 52′ | Joy | 84 % | 63 % | 54 % | 26 % |
| 92.5 % | ≈ 55′ | Joy | 73 % | 69 % | 23 % | 15 % |
| 97.5 % | ≈ 58′ | Joy | 73 % | 68 % | 10 % | 5 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Rory Williams
Cyril Arwell
Co-Pilot
Billis
Details
- Directed by
- Farren Blackburn
- Written by
- Sydney Newman, Steven Moffat
- Type
- Movies
- Released
- 2011
- Runtime
- 59 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Awe
- Data updated
Where to watch
Data: JustWatch
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