Side by Side
2012 · 99 min · Director: Christopher Kenneally
Show plot summary (may contain spoilers)
Investigates the history, process and workflow of both digital and photochemical film creation. It shows what artists and filmmakers have been able to accomplish with both film and digital and how their needs and innovations have helped push filmmaking in new directions. Interviews with directors, cinematographers, colorists, scientists, engineers and artists reveal their experiences and feelings about working with film and digital. Where we are now, how we got here and what the future may bring.
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Emotional fingerprint
Side by Side (2012) — Movie. Top emotional signals: Awe 30%, Curiosity 25%, Inspiration 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Awe30%
- Curiosity25%
- Inspiration20%
- Surprise15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Awe, Curiosity, Inspiration. Genres: Documentary. AI estimate.
Is it worth watching?
Consider this title if you are looking for Awe, Curiosity and Inspiration. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Inspiration
- Nostalgia
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Nostalgia
Dominant emotion: Inspiration
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Inspiration | Nostalgia |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 46 % | 53 % | 35 % | 23 % |
| 7.5 % | ≈ 7′ | Curiosity | 42 % | 50 % | 25 % | 18 % |
| 12.5 % | ≈ 12′ | Curiosity | 40 % | 49 % | 18 % | 11 % |
| 17.5 % | ≈ 17′ | Curiosity | 41 % | 48 % | 23 % | 9 % |
| 22.5 % | ≈ 22′ | Curiosity | 40 % | 44 % | 25 % | 7 % |
| 27.5 % | ≈ 27′ | Curiosity | 38 % | 43 % | 21 % | 11 % |
| 32.5 % | ≈ 32′ | Curiosity | 40 % | 48 % | 23 % | 19 % |
| 37.5 % | ≈ 37′ | Curiosity | 41 % | 52 % | 27 % | 15 % |
| 42.5 % | ≈ 42′ | Curiosity | 40 % | 50 % | 29 % | 9 % |
| 47.5 % | ≈ 47′ | Curiosity | 41 % | 50 % | 29 % | 6 % |
| 52.5 % | ≈ 52′ | Curiosity | 41 % | 50 % | 26 % | 6 % |
| 57.5 % | ≈ 57′ | Curiosity | 39 % | 48 % | 23 % | 6 % |
| 62.5 % | ≈ 62′ | Curiosity | 39 % | 47 % | 28 % | 7 % |
| 67.5 % | ≈ 67′ | Curiosity | 41 % | 47 % | 31 % | 7 % |
| 72.5 % | ≈ 72′ | Curiosity | 42 % | 49 % | 32 % | 5 % |
| 77.5 % | ≈ 77′ | Curiosity | 44 % | 46 % | 31 % | 15 % |
| 82.5 % | ≈ 82′ | Nostalgia | 44 % | 41 % | 25 % | 30 % |
| 87.5 % | ≈ 87′ | Curiosity | 44 % | 41 % | 19 % | 30 % |
| 92.5 % | ≈ 92′ | Curiosity | 46 % | 40 % | 22 % | 26 % |
| 97.5 % | ≈ 97′ | Inspiration | 47 % | 34 % | 34 % | 22 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Self
Self
Self
Details
- Directed by
- Christopher Kenneally
- Written by
- Christopher Kenneally
- Type
- Movies
- Released
- 2012
- Runtime
- 99 min
- Country
- United States
- Genres
- Documentary
- Ratings
- Feels mostly
- Awe
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





