Hello I Must Be Going
2012 · 95 min · Director: Todd Louiso, Todd Louiso
Show plot summary (may contain spoilers)
Following the break-up with and imminent divorce from her entertainment lawyer husband David, thirty-something Amy moves back in with her upper middle class parents Ruth and Stan Minsky in Westport, Connecticut. David asked for the divorce following an affair he had with who Amy considered a friend. Knowledge of the affair and David asking for the divorce came out of left field for Amy, who thought she had the perfect marriage. In her surprise and shock about David, she left David basically with the clothes on her back, and has not asked for anything in the divorce settlement. Three months later, she is still in a depressed state, not leaving the house and not knowing what to do with her life. She has no real job experience, has only a liberal arts degree, and abandoned her Master's degree studies in Photography to marry David. She believes her parents have mixed feelings about her return. Although they have both welcomed her back, she believes Ruth is critical not so much about what she does but more about what she doesn't do. Focused Ruth has a perfectly laid out plan for the twilight of her and Stan's lives, which largely is to complete the renovations on the house and travel the world, and didn't include Amy moving back in with them. Conversely, Amy believes Stan is the only person who loves her unconditionally, despite he admitting he never knowing the right thing to say to her. To her surprise and reluctance, Amy enters into a clandestine relationship with nineteen year old Jeremy, an actor with a modicum of success and fame. The reason for not telling anyone of the relationship is due to a combination of the differences in their ages, and the fact that Jeremy's stepfather Larry is a potential client of Stan's, Stan who feels that he needs Larry as a client to be able to retire, something he has already postponed due to market forces working against him. As much as both Amy and Jeremy become emotionally invested in the other's life - Jeremy who is facing his own issues, despite the overwhelming support from his therapist mother, Gwen, who is his biggest champion in whatever he does - Amy is still reluctant to classify what they have as a relationship. As certain realities come to light within this collective of people, Amy may come to some conclusions about the post-David phase of her life.
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Emotional fingerprint
Hello I Must Be Going (2012) — Movie. Top emotional signals: Sadness 30%, Melancholy 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness30%
- Melancholy25%
- Empathy20%
- Love15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Melancholy, Empathy. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Melancholy and Empathy. Its IMDb rating of 6.2/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Sadness | 48 % | 43 % | 0 % | 22 % |
| 7.5 % | ≈ 7′ | Humor | 50 % | 43 % | 5 % | 26 % |
| 12.5 % | ≈ 12′ | Sadness | 54 % | 44 % | 11 % | 30 % |
| 17.5 % | ≈ 17′ | Humor | 55 % | 43 % | 11 % | 31 % |
| 22.5 % | ≈ 21′ | Sadness | 57 % | 43 % | 23 % | 26 % |
| 27.5 % | ≈ 26′ | Love | 59 % | 31 % | 38 % | 33 % |
| 32.5 % | ≈ 31′ | Humor | 56 % | 21 % | 40 % | 44 % |
| 37.5 % | ≈ 36′ | Love | 51 % | 25 % | 38 % | 40 % |
| 42.5 % | ≈ 40′ | Humor | 50 % | 24 % | 36 % | 40 % |
| 47.5 % | ≈ 45′ | Love | 60 % | 30 % | 37 % | 41 % |
| 52.5 % | ≈ 50′ | Sadness | 64 % | 46 % | 25 % | 34 % |
| 57.5 % | ≈ 55′ | Sadness | 54 % | 44 % | 14 % | 35 % |
| 62.5 % | ≈ 59′ | Humor | 52 % | 40 % | 15 % | 44 % |
| 67.5 % | ≈ 64′ | Sadness | 65 % | 54 % | 13 % | 40 % |
| 72.5 % | ≈ 69′ | Sadness | 69 % | 60 % | 10 % | 25 % |
| 77.5 % | ≈ 74′ | Sadness | 64 % | 48 % | 19 % | 19 % |
| 82.5 % | ≈ 78′ | Hope | 68 % | 38 % | 44 % | 20 % |
| 87.5 % | ≈ 83′ | Love | 73 % | 49 % | 60 % | 21 % |
| 92.5 % | ≈ 88′ | Sadness | 66 % | 50 % | 49 % | 16 % |
| 97.5 % | ≈ 93′ | Hope | 57 % | 30 % | 35 % | 7 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Missy
Caley
Gary
Karen
Teenager
Courtney
Stacia
Hostess
Details
- Directed by
- Todd Louiso, Todd Louiso
- Written by
- Sarah Koskoff, Sarah Koskoff
- Type
- Movies
- Released
- 2012
- Runtime
- 95 min
- Country
- United States
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
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Free
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