Grace of Monaco
2014 · 103 min · Director: Olivier Dahan
Show plot summary (may contain spoilers)
1961. Princess Grace, the former Grace Kelly, has been married to Prince Rainier of Monaco now for five years, they having two young children. Her transition from famed Oscar-winning Hollywood actress from a background as the daughter of a wealthy millionaire owner of a brickworks in Philadelphia to European princess of a small, exclusive and tight-knit principality has been a difficult one, the Monagasques who have been less than welcoming to her in her outspoken American nature. Even in her official charity work as head of a women's committee for the Red Cross, the other committee members largely grumble under their breath about her as their leader. Despite loving Rainier, their marriage is a largely distant one emotionally as he focuses on his role as monarch, now an especially difficult time in the on-going tension between Monaco and France under the leadership of Charles de Gaulle, who would, if he could, annex Monaco back under French control. She has a small entourage of trusted advisers who lead her through the maze of her life, including an American Catholic priest, Father Francis Tucker, currently based in Monaco, and she bringing back into the fold Rupert Allan, who worked as her Hollywood publicist. Despite the unofficial roles of the members of this entourage, Grace has never had official guidance into all that it means to be Princess of Monaco. She has always been courted by the Hollywood community to continue acting, the thoughts of doing so stronger now than ever in her general unhappiness, with a concrete high profile role offered to her by her oft late career collaborator Sir Alfred Hitchcock. She returning to acting would be seen by the Monagasques and probably Rainier as she turning her back on her royal duties. What Grace decides to do under the circumstances takes into account her own happiness, the welfare of their two children who nonetheless will inherit the throne, whether she loves Rainier enough especially in light of an action by France, and whether she sees herself as Princess, and what she can do for the monarchy, the principality, and its subjects in light of her relationship with Rainier.
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Emotional fingerprint
Grace of Monaco (2014) — Movie. Top emotional signals: Empathy 28%, Anxiety 22%, Awe 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy28%
- Anxiety22%
- Awe20%
- Love15%
- Satisfaction15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Anxiety, Awe. Genres: Drama, Romance, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Anxiety and Awe. Its IMDb rating of 5.7/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 57/100.
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Pick up to three · 0/3
Emotional journey
- Hope
- Tension
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Hope | Tension | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Hope | 38 % | 23 % | 10 % | 13 % |
| 7.5 % | ≈ 8′ | Tension | 39 % | 15 % | 25 % | 21 % |
| 12.5 % | ≈ 13′ | Tension | 43 % | 10 % | 39 % | 29 % |
| 17.5 % | ≈ 18′ | Tension | 44 % | 16 % | 39 % | 28 % |
| 22.5 % | ≈ 23′ | Hope | 40 % | 24 % | 32 % | 25 % |
| 27.5 % | ≈ 28′ | Tension | 41 % | 19 % | 38 % | 29 % |
| 32.5 % | ≈ 33′ | Tension | 51 % | 16 % | 43 % | 41 % |
| 37.5 % | ≈ 39′ | Sadness | 59 % | 20 % | 39 % | 54 % |
| 42.5 % | ≈ 44′ | Sadness | 54 % | 21 % | 36 % | 48 % |
| 47.5 % | ≈ 49′ | Hope | 46 % | 23 % | 36 % | 28 % |
| 52.5 % | ≈ 54′ | Tension | 50 % | 18 % | 44 % | 25 % |
| 57.5 % | ≈ 59′ | Empathy | 58 % | 13 % | 53 % | 35 % |
| 62.5 % | ≈ 64′ | Tension | 63 % | 18 % | 56 % | 39 % |
| 67.5 % | ≈ 70′ | Love | 63 % | 30 % | 55 % | 40 % |
| 72.5 % | ≈ 75′ | Tension | 56 % | 39 % | 50 % | 30 % |
| 77.5 % | ≈ 80′ | Hope | 54 % | 44 % | 40 % | 26 % |
| 82.5 % | ≈ 85′ | Hope | 60 % | 53 % | 28 % | 43 % |
| 87.5 % | ≈ 90′ | Hope | 66 % | 49 % | 18 % | 48 % |
| 92.5 % | ≈ 95′ | Sadness | 67 % | 33 % | 10 % | 38 % |
| 97.5 % | ≈ 100′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Grace Kelly's dresser
Driver Triumph
Phyllis Blum
Robert McNamara
Details
- Directed by
- Olivier Dahan
- Written by
- Arash Amel
- Type
- Movies
- Released
- 2014
- Runtime
- 103 min
- Country
- Switzerland, France, Italy, Belgium, United States, Luxembourg
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
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Free
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