Adele Live at the Royal Albert Hall
2011 · 100 min · Director: Paul Dugdale
Show plot summary (may contain spoilers)
A live concert performance of Grammy-winning pop/soul sensation Adele Adkins at the Royal Albert Hall in London.
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Emotional fingerprint
Adele Live at the Royal Albert Hall (2011) — Movie. Top emotional signals: Excitement 35%, Awe 25%, Smile 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement35%
- Awe25%
- Smile20%
- Love10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Awe, Smile. Genres: Documentary, Music. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Awe and Smile. Its IMDb rating of 8.6/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Sadness
- Joy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Sadness | Joy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 55 % | 30 % | 17 % | 45 % |
| 7.5 % | ≈ 8′ | Love | 53 % | 35 % | 32 % | 36 % |
| 12.5 % | ≈ 13′ | Sadness | 54 % | 31 % | 49 % | 25 % |
| 17.5 % | ≈ 18′ | Sadness | 56 % | 25 % | 51 % | 15 % |
| 22.5 % | ≈ 23′ | Sadness | 57 % | 25 % | 46 % | 11 % |
| 27.5 % | ≈ 28′ | Humor | 53 % | 27 % | 32 % | 19 % |
| 32.5 % | ≈ 33′ | Love | 49 % | 35 % | 28 % | 24 % |
| 37.5 % | ≈ 38′ | Sadness | 55 % | 40 % | 45 % | 16 % |
| 42.5 % | ≈ 43′ | Sadness | 59 % | 35 % | 55 % | 9 % |
| 47.5 % | ≈ 48′ | Sadness | 55 % | 29 % | 39 % | 15 % |
| 52.5 % | ≈ 53′ | Humor | 54 % | 38 % | 19 % | 25 % |
| 57.5 % | ≈ 58′ | Love | 59 % | 55 % | 13 % | 28 % |
| 62.5 % | ≈ 63′ | Love | 63 % | 61 % | 16 % | 30 % |
| 67.5 % | ≈ 68′ | Love | 63 % | 55 % | 35 % | 26 % |
| 72.5 % | ≈ 73′ | Sadness | 66 % | 53 % | 56 % | 18 % |
| 77.5 % | ≈ 78′ | Love | 65 % | 55 % | 50 % | 21 % |
| 82.5 % | ≈ 83′ | Love | 60 % | 53 % | 40 % | 26 % |
| 87.5 % | ≈ 88′ | Sadness | 65 % | 48 % | 53 % | 26 % |
| 92.5 % | ≈ 93′ | Sadness | 69 % | 38 % | 58 % | 35 % |
| 97.5 % | ≈ 98′ | Joy | 67 % | 27 % | 50 % | 43 % |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Guitar
Guitar
Keyboards
Bass
Drums
Wired Strings - Cello
Backing Vocals
Wired Strings - Violin
Wired Strings - Cello
Backing Vocals
Details
- Directed by
- Paul Dugdale
- Type
- Movies
- Released
- 2011
- Runtime
- 100 min
- Country
- UK
- Genres
- Documentary, Music
- Ratings
- Feels mostly
- Excitement
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





