Electric Boogaloo: The Wild, Untold Story of Cannon Films
2014 · 107 min · Director: Mark Hartley
Show plot summary (may contain spoilers)
A documentary about Menahem Golan and Yoram Globus - two movie-obsessed cousins whose passion for cinema changed the way movies were made and marketed - and the tale of how this passion ultimately led to the demise of the company they built together.
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Emotional fingerprint
Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014) — Movie. Top emotional signals: Humor 30%, Excitement 22%, Nostalgia 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Excitement22%
- Nostalgia20%
- Inspiration15%
- Sadness13%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Nostalgia. Genres: History, Documentary, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Nostalgia. Its IMDb rating of 7.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Curiosity
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Curiosity | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 52 % | 47 % | 48 % | 2 % |
| 7.5 % | ≈ 8′ | Curiosity | 49 % | 41 % | 45 % | 3 % |
| 12.5 % | ≈ 13′ | Humor | 49 % | 45 % | 40 % | 3 % |
| 17.5 % | ≈ 19′ | Humor | 50 % | 43 % | 38 % | 5 % |
| 22.5 % | ≈ 24′ | Curiosity | 51 % | 36 % | 38 % | 6 % |
| 27.5 % | ≈ 29′ | Humor | 53 % | 41 % | 39 % | 5 % |
| 32.5 % | ≈ 35′ | Curiosity | 50 % | 43 % | 40 % | 9 % |
| 37.5 % | ≈ 40′ | Humor | 46 % | 41 % | 39 % | 11 % |
| 42.5 % | ≈ 45′ | Humor | 48 % | 43 % | 40 % | 6 % |
| 47.5 % | ≈ 51′ | Humor | 54 % | 46 % | 43 % | 3 % |
| 52.5 % | ≈ 56′ | Humor | 57 % | 53 % | 40 % | 4 % |
| 57.5 % | ≈ 62′ | Humor | 56 % | 54 % | 39 % | 6 % |
| 62.5 % | ≈ 67′ | Humor | 55 % | 49 % | 43 % | 6 % |
| 67.5 % | ≈ 72′ | Curiosity | 56 % | 36 % | 43 % | 5 % |
| 72.5 % | ≈ 78′ | Tension | 57 % | 28 % | 39 % | 9 % |
| 77.5 % | ≈ 83′ | Humor | 56 % | 36 % | 39 % | 14 % |
| 82.5 % | ≈ 88′ | Humor | 55 % | 45 % | 40 % | 20 % |
| 87.5 % | ≈ 94′ | Humor | 54 % | 40 % | 40 % | 30 % |
| 92.5 % | ≈ 99′ | Sadness | 54 % | 33 % | 35 % | 40 % |
| 97.5 % | ≈ 104′ | Sadness | 57 % | 30 % | 27 % | 48 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Details
- Directed by
- Mark Hartley
- Written by
- Mark Hartley
- Type
- Movies
- Released
- 2014
- Runtime
- 107 min
- Country
- Australia, United States
- Genres
- History, Documentary, Biography
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





