Fill the Void
2012 · 90 min · Director: Rama Burshtein
Show plot summary (may contain spoilers)
A devout 18-year-old Israeli is pressured to marry the husband of her late sister. Declaring her independence is not an option in Tel Aviv's ultra-Orthodox Hasidic community, where religious law, tradition and the rabbi's word are absolute.
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Emotional fingerprint
Fill the Void (2012) — Movie. Top emotional signals: Anxiety 30%, Sadness 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety30%
- Sadness25%
- Empathy20%
- Love15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Sadness, Empathy. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Sadness and Empathy. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Hope
Dominant emotion: Love
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Hope | 55 % | 23 % | 3 % | 13 % |
| 7.5 % | ≈ 7′ | Love | 53 % | 33 % | 15 % | 21 % |
| 12.5 % | ≈ 11′ | Empathy | 64 % | 51 % | 44 % | 44 % |
| 17.5 % | ≈ 16′ | Sadness | 81 % | 69 % | 73 % | 56 % |
| 22.5 % | ≈ 20′ | Sadness | 79 % | 69 % | 71 % | 54 % |
| 27.5 % | ≈ 25′ | Tension | 65 % | 57 % | 49 % | 53 % |
| 32.5 % | ≈ 29′ | Empathy | 61 % | 56 % | 43 % | 54 % |
| 37.5 % | ≈ 34′ | Sadness | 68 % | 65 % | 55 % | 61 % |
| 42.5 % | ≈ 38′ | Empathy | 69 % | 68 % | 57 % | 64 % |
| 47.5 % | ≈ 43′ | Empathy | 65 % | 63 % | 49 % | 61 % |
| 52.5 % | ≈ 47′ | Tension | 70 % | 63 % | 45 % | 69 % |
| 57.5 % | ≈ 52′ | Tension | 76 % | 68 % | 51 % | 73 % |
| 62.5 % | ≈ 56′ | Sadness | 79 % | 71 % | 63 % | 71 % |
| 67.5 % | ≈ 61′ | Tension | 77 % | 70 % | 63 % | 73 % |
| 72.5 % | ≈ 65′ | Empathy | 76 % | 71 % | 64 % | 65 % |
| 77.5 % | ≈ 70′ | Sadness | 74 % | 71 % | 65 % | 54 % |
| 82.5 % | ≈ 74′ | Empathy | 68 % | 65 % | 50 % | 54 % |
| 87.5 % | ≈ 79′ | Empathy | 70 % | 60 % | 35 % | 48 % |
| 92.5 % | ≈ 83′ | Love | 74 % | 52 % | 25 % | 28 % |
| 97.5 % | ≈ 88′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Esther Mendelman
Aunt Hanna
Frieda
Yossi
Details
- Directed by
- Rama Burshtein
- Written by
- Rama Burshtein
- Type
- Movies
- Released
- 2012
- Runtime
- 90 min
- Country
- Israel
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





