Vai que dá Certo
2013 · 87 min · Director: Maurício Farias
Show plot summary (may contain spoilers)
5 friends have a plan to rob a transporter that can change their lives completed.
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Emotional fingerprint
Vai que dá Certo (2013) — Movie. Top emotional signals: Humor 40%, Joy 25%, Excitement 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor40%
- Joy25%
- Excitement15%
- Surprise10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Joy, Excitement. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Joy and Excitement. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 63/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Anticipation
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Anticipation
Dominant emotion: Tension
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Anticipation |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 52 % | 52 % | 7 % | 10 % |
| 7.5 % | ≈ 7′ | Humor | 53 % | 51 % | 11 % | 9 % |
| 12.5 % | ≈ 11′ | Humor | 50 % | 48 % | 15 % | 9 % |
| 17.5 % | ≈ 15′ | Humor | 48 % | 43 % | 16 % | 19 % |
| 22.5 % | ≈ 20′ | Anticipation | 51 % | 43 % | 21 % | 36 % |
| 27.5 % | ≈ 24′ | Humor | 61 % | 54 % | 31 % | 45 % |
| 32.5 % | ≈ 28′ | Humor | 66 % | 61 % | 39 % | 44 % |
| 37.5 % | ≈ 33′ | Humor | 60 % | 54 % | 38 % | 44 % |
| 42.5 % | ≈ 37′ | Humor | 58 % | 49 % | 43 % | 43 % |
| 47.5 % | ≈ 41′ | Humor | 63 % | 54 % | 51 % | 35 % |
| 52.5 % | ≈ 46′ | Humor | 65 % | 57 % | 53 % | 31 % |
| 57.5 % | ≈ 50′ | Humor | 64 % | 55 % | 55 % | 35 % |
| 62.5 % | ≈ 54′ | Humor | 63 % | 54 % | 56 % | 40 % |
| 67.5 % | ≈ 59′ | Humor | 63 % | 57 % | 46 % | 43 % |
| 72.5 % | ≈ 63′ | Humor | 61 % | 59 % | 34 % | 41 % |
| 77.5 % | ≈ 67′ | Humor | 65 % | 53 % | 44 % | 43 % |
| 82.5 % | ≈ 72′ | Tension | 70 % | 46 % | 59 % | 40 % |
| 87.5 % | ≈ 76′ | Relief | 64 % | 48 % | 45 % | 26 % |
| 92.5 % | ≈ 80′ | Relief | 57 % | 50 % | 25 % | 15 % |
| 97.5 % | ≈ 85′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Tonico
Priscila
Da Silva
Cabeça
Duda
Durval
Assaltante
Repórter
Mãe de Rodrigo
Thiaguinho
Menino de Rua
Washington
Details
- Directed by
- Maurício Farias
- Written by
- Maurício Farias, Fábio Porchat, Alexandre Morcilo, Bernardo Guilherme, Marcelo Gonçalves
- Type
- Movies
- Released
- 2013
- Runtime
- 87 min
- Country
- Brazil
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





