feeldb

The Liar and His Lover

2013 · 117 min · Director: Norihiro Koizumi ★ IMDb 6.8 · 1,676 ratings

Show plot summary (may contain spoilers)

A love story between a famous 25-year-old songwriter, who keeps his identity hidden from the public, and a 16-year-old high school student who possesses a gifted voice.

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Emotional fingerprint

The Liar and His Lover (2013) — Movie. Top emotional signals: Love 35%, Sadness 20%, Anticipation 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love35%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Love, Sadness, Anticipation. Genres: Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Love, Sadness and Anticipation. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Love
  • Hope
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Hope

Dominant emotion: Sadness

Dominant emotion: Love

Dominant emotion: Humor

Dominant emotion: Tension

Love
Hope
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityLoveHopeSadness
2.5 %≈ 3′Hope37 %5 %12 %25 %
7.5 %≈ 9′Sadness50 %19 %14 %33 %
12.5 %≈ 15′Love55 %35 %20 %25 %
17.5 %≈ 20′Love50 %38 %21 %23 %
22.5 %≈ 26′Love50 %30 %30 %24 %
27.5 %≈ 32′Hope55 %18 %43 %23 %
32.5 %≈ 38′Sadness56 %16 %39 %24 %
37.5 %≈ 44′Humor58 %36 %32 %20 %
42.5 %≈ 50′Love61 %55 %33 %25 %
47.5 %≈ 56′Love61 %54 %38 %29 %
52.5 %≈ 61′Hope56 %37 %43 %23 %
57.5 %≈ 67′Hope51 %25 %31 %26 %
62.5 %≈ 73′Tension56 %26 %16 %40 %
67.5 %≈ 79′Tension60 %31 %15 %46 %
72.5 %≈ 85′Sadness56 %34 %23 %46 %
77.5 %≈ 91′Sadness60 %43 %35 %51 %
82.5 %≈ 97′Love68 %45 %51 %43 %
87.5 %≈ 102′Hope73 %44 %57 %30 %
92.5 %≈ 108′Love75 %60 %54 %39 %
97.5 %≈ 114′Love75 %72 %57 %47 %
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Kadri — your film companion

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

Takeru Satoh

Aki Ogasawara

SO
Sakurako Ohara

Riko Koeda

SM
Shôhei Miura

Shun Sakaguchi

MK
Masataka Kubota

Shinya Shinohara

KM
Kouki Mizuta

Kaoru Ono

KA
Kodai Asaka

Teppei Yazaki

YM
Yuki Morinaga

Sota Yamazaki

MT
Mitsuki Tanimura

Miwako Nagahama

SA
Saki Aibu

Mari

TS
Takashi Sorimachi

Soichiro Takagi

R
Ryûto

young Aki Ogasawara

AM
Asuka Moriyama

MK
Mizuki Komatsu

KF
Kota Fudauchi

HS
Hitomi Sakai

Details

Directed by
Norihiro Koizumi
Written by
Kotomi Aoki, Norihiro Koizumi, Tomoko Yoshida
Type
Movies
Released
2013
Runtime
117 min
Country
Japan
Genres
Romance
Ratings
★ IMDb 6.8 · 1,676 ratings
Feels mostly
Love
Data updated

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Emotion overlap shows mood similarity, not a prediction of enjoyment.